A Quote by Andy Garcia

My uncle, who was a little more flamboyant, always said the guy who dressed the best was Fred Astaire. — © Andy Garcia
My uncle, who was a little more flamboyant, always said the guy who dressed the best was Fred Astaire.
Fred Astaire. Not a handsome man. He said himself he couldn't sing. He was balding his whole life. He danced like a cheetah runs with the grace of the first creation. I mean, that first week. On one of those days God created Fred Astaire. Saturday maybe, since that was the day for the pictures. When you s Fred you felt better about everything. He was a cure. He was bottled in the films and all around the earth, from Castlebar to Cairo, he healed the halt and the blind. That's the gospel truth. St. Fred. Fred the Redeemer.
I felt Michael Jackson was inspired a little bit more from the elegance of a Fred Astaire. Michael loved Sammy Davis, Jr. and James Brown and Judy Garland and Fred Astaire. But he wasn't any of those people. To be inspired is one thing, but he made it all his own.
I started dancing when I saw Fred Astaire in 'Flying Down to Rio,' at approximately nine years old. Fred Astaire influenced me, more than anything, to be in 'show business.
I started dancing when I saw Fred Astaire in 'Flying Down to Rio,' at approximately nine years old. Fred Astaire influenced me, more than anything, to be in 'show business.'
I did a dance with Fred Astaire in the movie 'Bandwagon.' I got to waltz just from left of camera to right of camera, and I'm taller than Fred Astaire. Fortunately, I was wearing a long skirt, so I waltzed with bended knees.
My father hired you to protect me," Ahmed said, "not to go off chasing men." Grandma leaned forward, keeping her eye on the Taurus. "We think this guy killed Fred." "Who's Fred?" "My uncle," I told him. "He's married to Mabel." "Ah so you're avenging a murder in the family. This is a good thing.
I remember vividly seeing 'Tarzan' and Fred Astaire, the Chaplin films, Fred Astaire musicals, MGM, because of my mother. She was just interested in everything and she took me to opera and ballet, and then ballet got me hooked.
I wish I was born in that era: dancing with Fred Astaire and Gene Kelly, going to work at the studio dressed in beautiful pants, head scarves, and sunglasses.
As a little girl, I didn't dream of being a ballet dancer; I dreamt of being a movie star like Ginger Rogers and dancing with Fred Astaire. I used to watch the Sunday double-bills on TV and Iong to be part of what seemed a perfect Disneyland world. Astaire was a genius.
I thought Fred Astaire was the most chic man. I loved the way he dressed. Never mind his dancing, which was beyond - he was just so elegant and had this freedom of body.
In America, at the beginning of talkies, they pulled Fred Astaire from the theaters and put him on the screen and had all of these great composers write songs for him. They call it the Great American Songbook; I call it the Fred Astaire Songbook because they were written for him.
Compositionally I always wanted to be like Fred Astaire.
Astaire was ballroom, basically, and Gene Kelly had such athleticism - that's always what I responded to and what just blew my head open when I watched Gene Kelly's numbers. But, Fred Astaire was just so incredibly inventive and so, so smooth - so smooth.
Dancing, as Fred Astaire said, is next to ditch-digging. You sweat and you slave and the audience doesn't think you have a brain in your head.
People can glum onto all sorts of things. And some might use this in that way instead of taking personal responsibility for their lives. But if you discover the addiction is not all your own, you can ask, "Do I want to drink or smoke on behalf of Uncle Fred? Or do I realize I need to get rid of Uncle Fred and live my own life."
My mom always had me and my brother watching old Fred Astaire movies.
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