A Quote by Andy Goldsworthy

Photography is a way of putting distance between myself and the work which sometimes helps me to see more clearly what it is that I have made. — © Andy Goldsworthy
Photography is a way of putting distance between myself and the work which sometimes helps me to see more clearly what it is that I have made.
Being a photographer helps me see the work differently. I always walk away seeing things differently than when I stare at them myself. It gives me a little distance. So I love photography, but it also helps me tell the story. When I shoot the ad campaign for my work, it allows me to be much more direct.
Putting myself into categories is fun, and I think it also gives me insight into my own nature. When I see myself more clearly, I can more easily see ways that I might do things differently, to make myself happier. Categories can be unhelpful, however, when they become too all-defining, or when they become an excuse.
Yet sometimes being a friend meant letting people do things that hurt, like putting distance between you, just because it made them happy.
Photography is to the layman perhaps the most enticing art. As a buff and a follower, at a respectful distance, I find myself like others, having the heart of a Steiglitz with hands that sometimes seem impeded by boxing gloves. What is exasperating is that one can feel closer to managing the skills of photography than most other arts, and yet be a long hop, skip and delusional way from it.
When I write, I tend to read it out loud to myself after. I'm a very uncomfortable reader, so it creates a distance between the text and me - it is a new way to see it.
I use photography as a way to help me understand why I am here. The camera helps me to see.
Photography has become so fundamental to the way we see that 'photography' and 'seeing' are becoming more and more synonymous. The ubiquity of photography is, perhaps ironically, a challenge to curators, practitioners, and critics.
Sometimes you need to distance yourself to see things clearly.
For me personally, I don't go onto Twitter or Facebook, my hubby helps me out because sometimes I'm concerned that I'll see something that will upset me, and I don't have a way to work it out with that person.
I have no perspective as regards my work. One reason I put out records and books is people respond to it, and it enables you to actually see the work more clearly. It's a form of therapy for me. Sometimes abusive therapy.
Thanks to photography, the eye grew accustomed to anticipate what it should see and to see it; and it learned not to see nonexistent things which, hitherto, it had seen so clearly.
There's so much I love about home, but then there's a lot that I can acknowledge that I dislike about home. And acknowledging that to myself helps me see that place more clearly and to bring readers to that place.
In a way, going to Africa allowed me to see possibilities that sometimes seem impossible in certain conditions. It also allowed me to see opportunities for material strategies. I hate it when people think I went and got something [from Africa] and brought it here. It's more about how it affects the way in which I work and affects [my] creativity.
I didn't do well in high school, but I took photography, and I loved being able to capture moments. It led to more and more photography, and fashion was the angle into photography for me. It was incredible to see photographs by Irving Penn or Helmut Newton. I was really intrigued by that, and that's what led me to New York City.
I've never been the type of photographer to live with people I photograph. You know, shoot heroin with them, that kind of thing. I respect those photographers that work that way. But part of my personality is a certain amount of distance, and part of my attraction to the medium of photography is this distance where you're in the world, but you're removed from it.
Never have I dealt with anything more difficult than my own soul, which sometimes helps me and sometimes opposes me.
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