A Quote by Andy Goldsworthy
My art is an attempt to reach beyond the surface appearance. I want to see growth in wood, time in stone, nature in a city, and I do not mean its parks but a deeper understanding that a city is nature too-the ground upon which it is built, the stone with which it is made.
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The city and nature, the built stone and the found stone, concrete and slate, poetry addresses them all democratically.
As with all my work, whether it's a leaf on a rock or ice on a rock, I'm trying to get beneath the surface appearance of things. Working the surface of a stone is an attempt to understand the internal energy of the stone.
No better way is there to learn to love Nature than to understand Art. It dignifies every flower of the field. And, the boy who sees the thing of beauty which a bird on the wing becomes when transferred to wood or canvas will probably not throw the customary stone.
It is the Late city that first defies the land, contradicts Nature in the lines of its silhouette, denies all Nature. It wants to be something different from and higher than Nature. These high-pitched gables, these Baroque cupolas, spires, and pinnacles, neither are, nor desire to be, related with anything in Nature. And then begins the gigantic megalopolis, the city-as-world, which suffers nothing beside itself and sets about annihilating the country picture.
In our city spring came from the sky, not from the soil, which was ruled by stone that recognizes no seasonal change. The change of the season could be glimpsed in the thinning of clouds, the appearance of the birds and the occasional rainbow.
Everything - a bird, a tree, even a simple stone, and certainly a human being - is ultimately unknowable. This is because it has unfathomable depth. All we can perceive, experience, think about, is the surface layer of reality, less than the tip of an iceberg. Underneath the surface appearance, everything is not only connected with everything else, but also with the Source of all life out of which it came. Even a stone, and more easily a flower or a bird, could show you the way back to God, to the Source, to yourself.
I go way beyond just the wood and stone but to the process of growth and farming and the tensions between the two.
I don't think I'm wrong when I say that the most beautiful objects of the "stone age" were made of skin, fabric, and especially wood. The "stone age" ought to be called the "wood age." How many African statues are made of stone, bone, or ivory? Maybe one in a thousand! And prehistoric man had no more ivory at his disposal than African tribes. Maybe even less. He must have had thousands of wooden fetishes, all gone now.
Language is a city, to the building of which every human being brought a stone; yet he is no more to be credited with the grand result than the acaleph which adds a cell to the coral reef which is the basis of the continent.
O thou who art able to write a Book, which once in the two centuries or oftener there is a man gifted to do, envy not him whom they name City-builder, and inexpressibly pity him whom they name Conqueror or City-burner! Thou too art a Conqueror and Victor; but of the true sort, namely over the Devil: thou too hast built what will outlast all marble and metal, and be a wonder-bringing City of the Mind, a Temple and Seminary and Prophetic Mount, whereto all kindreds of the Earth will pilgrim.
Language is a city to the building of which every human being brought a stone.
The city of Chandigarh is planned to human scale. It puts us in touch with the infinite cosmos and nature. It provides us with places and buildings for all human activities by which the citizens can live a full and harmonious life. Here the radiance of nature and heart are within our reach.
It is the nature of stone to be satisfied. It is the nature of water to want to be somewhere else.
It would indeed be a great delusion, if we stated that those sports of Nature [we find] enclosed in rocks are there by chance or by some vague creative power. Ah, that would be superficial indeed! In reality, those shells, which once were alive in water and are now dead and decomposed, were made thus by time not Nature; and what we now find as very hard, figured stone, was once soft mud and which received the impression of the shape of a shell, as I have frequently demonstrated.
We see only the simple motion of descent, since that other circular one common to the Earth, the tower, and ourselves remains imperceptible. There remains perceptible to us only that of the stone, which is not shared by us; and, because of this, sense shows it as by a straight line, always parallel to the tower, which is built upright and perpendicular upon the terrestrial surface.
One must distance oneself from the idea of strict realism. It seems to me that real nature doesn't exist anymore, this idea of "the wild." This is why I love parks, and why I chose to use them in my work - they are beyond nature. I see nature as a resource.
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