A Quote by Andy Goldsworthy
My art recognizes the human place, the human context - especially in Britain, which is a landscape so worked by people for thousands of years, written, deeply ingrained with the presence of people.
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The human face is the most deeply ingrained image in our brains. It is the two dots and a dash we connect with as babies. It is the focus of our attention in our relationships with each other. The face and the human figure express all we are. Everything else - architecture, art, even landscape - we usually understand in relation to us.
In a political context of the utmost significance, ["freedom from fear"] recognizes a human right which, in a broad sense, may be said to sum up the whole philosophy of human rights.
People have wanted to look inside the human mind, the human brain, for thousands of years.
Art arises in those strange complexities of action that are called human beings. It is a kind of human behavior. As such it is not magic, except as human beings are magical. Nor is it concerned in absolutes, eternities, "forms," beyond those that may reside in the context of the human being and be subject to his vicissitudes. Art is not an inner state of consciousness, whatever that may mean. Neither is it essentially a supreme form of communication. Art is human behavior, and its values are contained in human behavior.
Thousands of years people have taken drugs, whether it's alcohol, which was invented about 5,000 years ago. People have been using that. And all kinds of marijuana and all these things, tobacco. So all these drugs have been - it seems to be the propensity of human beings to want to use them.
War is a crucial, deeply ingrained part of human history. It has to be understood.
Human exploration is something that's been going on for thousands of years, and the models that worked 500 years ago are likely to work again today.
For many years as a foreign correspondent, I not only worked alongside human rights advocates, but considered myself one of them. To defend the rights of those who have none was the reason I became a journalist in the first place. Now, I see the human rights movement as opposing human rights.
Excellence in life seems to me to be the way in which each human being makes the most of the adventure of living and becomes most truly and deeply himself, fulfilling his own nature in the context of a good life with other people.
The spirit of Dr. [Martin Luther] King and the thousands of people he worked with set the races on a different course in the United States... In that same spirit, we must have the courage - and teach our students the courage - to be bearers to the world of this transforming love, co-creators of a more deeply human world, collaborators with Christ in the building of God's Kingdom.
People know that both my parents were shrinks so I was sort of raised in an atmosphere where there was that interest in the human mechanism and the human psyche and what makes people tick. And yes, I think I'm particularly creative and adventurous and improvisational and spontaneous in my inner impulses and patterns and deeply curious and appetized in the unfathomably mysterious and delicious phenomena that is the human being and who we really are.
The humorous man recognizes that absolute purity, absolute justice, absolute logic and perfection are beyond human achievement and that men have been able to live happily for thousands of years in a state of genial frailty.
For thousands of years, we've insisted that art can make us better people. Unless a brief can be fashioned that, by its very nature, art appeals only to the best in people and never the darkness, which defies both logic and intuition, then we have to acknowledge that art can make some of us worse.
The Bible is an ancient text from an ancient context. We live thousands of miles and thousands of years away from that context, which also represents different cultures. Archaeology is a modern means of revealing both the lost record of the ancient world, and the historical and social world of the Bible. While the purpose of archaeology is not to prove the historicity of the people and events recorded in Scripture, it can help immeasurably to confirm the historical reality and accuracy of the Bible and to demonstrate that faith has a factual foundation.
One of the things that I tell beginning writers is this: If you describe a landscape, or a cityscape, or a seascape, always be sure to put a human figure somewhere in the scene. Why? Because readers are human beings, mostly interested in human beings. People are humanists. Most of them are humanists, that is.
When I was between 2 and 3 years old, I got to know my first non-human being. The non-human was a cocker spaniel named Baba. We weren't friends, Baba and I, nor enemies. He wasn't my dog. He belonged to the people my mother worked for, and he lived in the house with them and us.
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