A Quote by Andy Goldsworthy
I'm an artist living in a small, Scottish village. So one would expect to be treated with some sort of caution. And the village and the farmers have shown enormous tolerance of me and interest in what I do. I mean, they don't necessarily understand what I'm doing all the time. But they, you know, I think they respect what I do and that there is a connection between what they do with the land and what I do, you know, that we're both dependent on weather and respond to that.
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I grew up in the small German village of Bosingen, which is located between Black Forest and the state capital of Stuttgart. And when I say small, I mean small. In our village, there were no more than 1,700 people. And we all loved football, but there weren't a lot of places for us boys around town to play in.
Our village is very small, so I wasn't surprised when I heard some negative comments from my neighbours on my interest in sports. But nothing mattered, as I always knew what I was doing and why I was doing it.
I grew up in Sant Esteve Sesrovires, a small village near Barcelona. My house was near the countryside, so there was a lot of nature, and at the same time my village is surrounded by factories. That conditioned me a little bit.
I was raised in a sort of village. I have a huge family, and I think there is strength in that. It helped me to deal with some of the complications of living in the South because I always felt like I belonged, no matter what.
My art teacher in junior high was a very out gay man and a mentor to me. He would tell us about Greenwich Village and show us the 'Village Voice' and describe his life, but it was all sort of subversive and below the radar.
In Africa, you often see that the difference between a village where everybody eats and a village where people starve is government. One has a functioning government, and the other does not. Which is why it bothers me when I hear people say that government is the enemy. They don't understand its fundamental role.
I live in the Village right near NYU, which is taking over most of the Village. I've lived there for most of my time in New York. One of the things I like about the Village is, it's considered the kind of area where you can't have skyscrapers or, actually, many tall buildings. So you can see the sky which, I think, is a benefit.
Now some folks say that we should be glad for what we have. Tell me, would you be happy in Village Ghetto Land?
It is quite easy to see why a legend is treated, and ought to be treated, more respectfully than a book of history. The legend is generally made by the majority of people in the village, who are sane. The book is generally written by the one man in the village who is mad.
I used to live in a village, and I always loved listening to old people. Unfortunately, it was always women who were talking, because after the war, very few men were around. I spent my entire life living in the village. The village is always talking about itself; people are talking to each other as the village makes sense of itself.
Oriental DreamWorks did a lot of the surfacing of the village [in Kung Fu Panda 3] and you know all the little paintings on all the gables and everything? They have meaning, and they could do that because they know what that means, we don't necessarily know about that over here.
Give the villagers village arithmetic, village geography, village history and the literary knowledge that they must use daily, i.e. reading and writing letters, etc.
People would go from village to village with their books in a time of poverty and disease. They would get people around them, and for an hour, these storytellers would change people's lives. I'd always thought I was a reincarnation of that. That's who I want to be.
Previously, young children had to be shown by their parents how to use a mouse or a remote, and the connection between what they were doing with their hand and what was happening on the screen took some time to grasp. But with the iPad, the connection is obvious, even to toddlers.
Ezra Pound still lives in a village and his world is a kind of village and people keep explaining things when they live in a village.... I have come not to mind if certain people live in villages and some of my friends still appear to live in villages and a village can be cozy as well as intuitive but must one really keep perpetually explaining and elucidating?
When I interviewed the evangelical Christian youth group who were protesting the Village Voice, I wanted them to feel they could freely tell me things like, "Did you know that 90 percent of prostitutes don't want to be doing it?" Is that unfair? That's sort of an invisible privilege for me.
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