A Quote by Andy Goldsworthy

I'm not a performer, in that I don't like the public, but I work in that respect. — © Andy Goldsworthy
I'm not a performer, in that I don't like the public, but I work in that respect.
I don't care about the respect of the press or the public or anybody. Whose respect every day I'm trying to garner is the respect of my children and my grandchildren and my friends, the people I work with.
I am not a performer but occasionally I deliberately work in a public context. Some sculptures need the movement of people around them to work.
I didn't want to admit that I was a performer. A performer meant spotlights - a performer had connotations of theater. I would have preferred agent to performer.
I respect Lady Gaga's work as an artist and as a fellow fashion icon. She is a very talented performer, playing the piano, singing live, and dancing, too.
Yes, I believe stories are very important to all performances. The life story of the performer shapes their work, and the life stories of the audience alter how they receive the work, what they read into the performer.
I believe stories are very important to all performances. The life story of the performer shapes their work, and the life stories of the audience alter how they receive the work, what they read into the performer.
And at the same time, you are of course a performer, but it's very important that you understand that your role as a performer is to get the best performance from those wonderful colleagues that you have the chance to work with.
Like, your body has to get used to being in front of people. Like - and you have to be like - you have to be kind of a ham, you know? Like, the thing about writers is they're generally self - comedy writers - self-loathing, sort of play small. And as a, like, performer, you have to think like a comedy writer but act like a performer.
You become successful, the way I see it, only if you're good enough to deliver what the public enjoys. If you're not, you won't have any audience; so the performer really has more to do with his success than the public does.
The whites come to applaud a Negro performer just like the colored do. When you've got the respect of white and colored, you can ease a lot of things.
I have been doing comedy for the last 15 years but I don't have any qualms admitting that I have learnt a lot from Kapil Sharma. I respect his talent and have not seen a performer like him in my career.
Performers and their public should never meet. Once the curtain comes down, the performer should fly away like a magician's dove.
There are those superstars who refuse to give anything of themselves to the public except what they see on-screen. In movies and on records, it's easy to insulate one's self from the public; that's why I think I wouldn't care to be a television performer, particularly in the States, where TV stardom is so intimate.
My whole childhood was like: Work hard, be quiet, respect elderly people, respect your parents, and just be unobtrusive.
I've got a very behind-the-scenes personality. I don't know how I became a performer. I like to stay discreet, out of the public eye, very low-key.
If I belong to a tradition, it is a tradition that makes the masterpiece tell the performer what to do, and not the performer telling the piece what it should be like, or the composer what he ought to have composed.
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