A Quote by Andy Goldsworthy

If I'm going to understand the land, I have to understand the wind, the snow, the rain, the leaves, the ice, and changes in temperature. It just reflects a reality for me.
I have to understand the nature of change. And I cannot just work with stone or the more permanent materials. I need to work with leaves and ice and snow and mud and clay and water and the rising tide and the wind and all these.
One must have a mind of winter to regard the frost and the boughs of the pine trees, crusted with snow, And have been cold a long time, to behold the junipers, shagged with ice, the spruces, rough in the distant glitter of the January sun, and not to think of any misery in the sound of the wind, in the sound of a few leaves, which is the sound of the land, full of the same wind, blowing in the same bare place for the listener, who listens in the snow, and, nothing herself, beholds nothing that is not there, and the nothing that is.
Grief does not expire like a candle or the beacon on a lighthouse. It simply changes temperature. It becomes a kind of personal weather system. Snow settles in the liver. The bowels grow thick with humidity. Ice congeals in the stomach. Frost spiderwebs in the lungs. The heart fills with warm rain that turns to mist and evaporates through a colder artery.
A land ethic...reflects the existence of an ecological conscience, and this in turn reflects a conviction of individual responsibility for the health of the land. Health is the capacity of the land for self-renewal. Conservation is our effort to understand and preserve this capacity.
It'll work, if God, wind, leads, ice, snow, and all the hells of this damned frozen land are willing.
On land off an ice covered sea the traveler can, for example, detect the presence of open water, simply because it reflects less light than land or ice. The open sea's telltale sign is thus a darkness on the underside of the clouds.
With a changing key, you unlock the house where the snow of what’s silenced drifts. Just like the blood that bursts from Your eye or mouth or ear, so your key changes. Changing your key changes the word That may drift with flakes. Just like the wind that rebuffs you, Clenched round your word is the snow.
When it does get below freezing and there is - it's cold enough for ice to form, then that changes the whole landscape, and it makes the landscape a different landscape to the one that I worked with previously. And I want to understand that. But the big tension of the ice works is that they're often made when it's cold enough to freeze one piece of ice to another.
We knew it would rain, for the poplars showed The white of their leaves, the amber grain Shrunk in the wind,-and the lightning now Is tangled in tremulous skeins of rain.
Just a little rain falling all around The grass lifts its head to the heavenly sound Just a little rain, just a little rain What have they done to the rain? Just a little boy standing in the rain The gentle rain that falls for years And the grass is gone and the boy disappears And the rain keeps falling like helpless tears And what have they done to the rain? Just a little breeze out of the sky The leaves nod their heads as the breeze blows by Just a little breeze with some smoke in its eye And what have they done to the rain?
The hard surface of the stone is impervious to nothing in the end. The heat of the sun leaves evidence of daylight. Each drop of rain changes the form; even the wind and the air itself, invisible to our eyes, etches its presence. … All history is taken in by stones.
All I care is that my family, and my loved ones, understand me. Or that they understand me to a degree - I don't understand me very much. And I don't need the world to understand me. That is the most egocentric thing.
Do you know how much land is under ice, rock and snow? Do you know why 90 percent of us live within 100 kilometres of the U.S. border? We have this idea we're a vast country. But the reality is that a lot of it, a huge amount, is uninhabitable.
This is what I have heard at last the wind in December lashing the old trees with rain unseen rain racing along the tiles under the moon wind rising and falling wind with many clouds trees in the night wind.
Great music is just very clear. Sonically and lyrically, you understand the point of view, you understand the melodies, you understand the vibe, and you understand the lyric pretty damn quickly. To me, that doesn't make it 'less than' - it makes it 'more than.'
When somebody greedily comes along and thinks that they gonna snatch everything, and you have so many people that have not, the passion that drives me is trying to make them understand that they have to share. So, my art reflects that; the whole reason I do what I do reflects that.
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