A Quote by Andy Grammer

When I get back with band, the lights, and the whole production, that's me with the full artillery. A quick radio performance keeps me sharp for the big show. — © Andy Grammer
When I get back with band, the lights, and the whole production, that's me with the full artillery. A quick radio performance keeps me sharp for the big show.
I was going to do a big radio show, and I said to my driver, 'Radio can wait, take me to the Full House house.' It literally was a drive-by. I photobombed the Full House house yesterday. I took like 20 pictures because I thought I didn't look good in any of these - you can't see the house! You gotta really show that that's the house!
We get along, we talk music.Lenny Kravitz took me to Harlem to see this little jazz show in the back of a church. It was just shitty fluorescent lights and a small stage piano, but this band tore it up.
My radio show is actually the conclusion to my week. Which means there'll be 20% of what's happened to me during those five days, on my show. If I don't do my radio show I actually feel lost! It's like the bookends - the beginning and the end of the week and the whole thing comes together. So for me it is important.
My first big break was with the Ted Fio Rito band. Fio Rito had a bunch of record hits in the 1930s and did a lot of radio work back then. When he came to my home town in early 1942, I sat in with the band. Ted liked me and offered me a job.
Living in L.A. keeps me in my car a lot, and I'm constantly flipping back and forth between the following Sirius/XM Radio stations: NFL Radio, MLB Radio, POTUS, MSNBC, CNN, and Fox News.
I started playing as a full-back, but it's hard to chase quick forwards, especially for me as I'm not particularly quick.
I found out about college radio and this whole noise genre blew me away. When I saw that guys could just get up there and have no traditional music ability and be in a band, it was really appealing to me.
Playing a stadium is a big adrenaline boost for me and I dig it. It keeps me on my toes and makes me revamp everything I'm doing and not get stagnant with how I approach every show, which is something I like.
One of my first films was Zebrahead. I remember the producer asking me, "Can you handle the big lights?" And I thought, Do I want to be sarcastic, or do I want the job? So I said, "I don't handle the big lights, I just tell big men where to put the big lights and they do it."
Standup keeps me grounded and keeps me in touch. I get to go from small towns to big cities, across Canada and the U.S., and you're out there and talking to people. You get a sense of what they respond to.
A big difference between podcasts and radio is the intimacy. Radio oftentimes feels big and loud. To me, podcasting is closest to that weird late night stuff, whether it's late night love song request lines, or it's some talk radio show where you feel like you're the only person listening to it.
My wife keeps me sharp. You know, she ain't going to let me get comfortable with this "Ice Cube" stuff.
I love the whole physical thing in films. It keeps me on my toes, it keeps me awake, it keeps me alive. If I'm going to be shooting a movie from 7pm to 7am six nights a week, I best be as physical as possible because then I'll never get tired. Otherwise you sit down, it sounds really weird, but that's the part that wears you out.
Variety is very, very good. Going from medium to medium, if you get the chance to do it, from theater to television to film, which are all distinctly different, keeps me sharp. What works in one doesn't work in the other, and you have to be looking for the truth of the performance, whatever way that medium might demand.
I got into bluegrass music when I was 14, as a way to get into a band. My brother and I had a band and our own radio show, and that's what was popular.
Jesus is who saved me. He's what keeps me full and whole.
This site uses cookies to ensure you get the best experience. More info...
Got it!