A Quote by Andy Grammer
Seeing what kinds of songs work in other cities and other parts of the world was pretty eye-opening. I know it changed how I approached the second record big-time.
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It [motherhood] has changed absolutely everything. I mean, it's changed my life. I think I've changed as a human being more since I've had Kai than in any other period in my life...It's such an incredible catalyst for growth. I found myself questioning absolutely everything: how I spend my time, how I speak, what kind of projects I work on, how I look at the world.
I do not own a car, and my main form of travel to Westminster and in my constituency is by bicycle. I also take my bike on trains to meetings in other parts of the country, which enables me to see other cities and the other parts of the country.
All sciences are connected; they lend each other material aid as parts of one great whole, each doing its own work, not for itself alone, but for the other parts; as the eye guides the body and the foot sustains it and leads it from place to place.
In some ways, the great danger for this commodified universe is our boredom with it ... There is this sort of dialectic that you could tease out, that even in this overdeveloped late-capitalist world, that boredom was still this kind of critical energy that you could work on and try to theorize and then act on, to find other kinds of belonging, other kinds of desire, other kinds of life.
There's a difference in how I feel when I'm travelling and when I'm sitting still. I've been doing it for such a long time it has become a part of my life. It gets a bit hectic depending on where I am, you know, like there's different parts of the world that's more stimulating than other parts.
Gardener's , like everyone else, live second by second and minute by minute. What we see at one particular moment is then and there before us. But there is a second way of seeing. Seeing with the eye of memory, not the eye of our anatomy, calls up days and seasons past and years gone by.
I always try to write a song, I never just want to write a record. Originally I was not writing songs for myself. ....And I can say this, most of the people who have recorded my songs are songwriters themselves. ... Even if I don't release it myself, somebody else might hear it and want to record it. When you write a song, it gives it that potential. When you write a song, a song has longevity. ... So I wanted to sing inspirational music, and that's exactly how I approached it-only the words have been changed to declare my relationship with God. Songwriting is my gift from God.
There was an uncommon array of people in there [rehab] with me, and I became friends with all of them. You recognize the possibility of your own demise in the lives of these other people. You're doing the same thing they are, but you can't see it in yourself. However, you start seeing all of these tragedies and potential miracles in other people. It's a real eye- and heart-opening situation.
Making a record? You've got to have the song, then you create a record. I think it's the same with a live performance. If the material is strong, you're already 90% there. I always tell young people it's all about the music, the songs. Work on the songs, work on the songs, work on the songs.
The first time I watched [Keith] Olbermann, his opening monologue, I completely changed the way I approached my radio show.
Learn all you can about people in other parts of the world. Understanding how people in other countries live and work and play teaches us to respect them and promote peace everywhere.
Work is of two kinds: first, altering the position of matter at or near the earth's surface relative to other matter; second, telling other people to do so.
My greatest career moment was when my career ended. Because I focused my entire life on athletics. And not becoming - not exploring other areas in my life - it opened me up to explore the world and other experiences. It was eye-opening.
To see the angel in the malady requires an eye for the invisible, a certain blinding of one eye and an opening of the other to elsewhere.
My father and I, we finally saw each other eye to eye and I think he's seeing me as a man, and I'm seeing him as the father he's always been.
I feel like a lot has changed - ebooks are a much more valid format and bigger presses are taking less chances. As a bookseller, there are less real bookstores and more people buying on-line. As a writer, I think there are fewer paths to break through on a big press, but on the other hand there are more small presses doing awesome work now. Overall, artistically, I think it's a pretty exciting time in the literary world.
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