I'm a big fan of songs like Joe Cocker's 'You Are So Beautiful' and Eric Clapton's 'Wonderful Tonight' - songs that go straight to the point.
Everyone wanted to play like Eric Clapton in the early to mid-'60s.
When I go into a room to write, it's like I'm not trying to say, 'I need to write a song that sounds like Eric Church or Jason Aldean.' I just try to get the best song that's in the room that day. Whatever style or sound that may be, I'm not afraid to attack it at that angle.
I've heard the stories. Like, Eric Clapton said he wanted to burn his guitar when he heard Jimi Hendrix play. I never understood that because, when I went and saw a great drummer or heard one, all I wanted to do was practice.
I was a kid that grew up listening to The Beatles and The Stones and Jimmy Page and Eric Clapton and Jeff Beck, and I wanted all of that in there. But at the same time, a large part of my playing is Tony Iommi and Billy Gibbons. I'm just a sum total of all of the guitar players that I think were really cool.
There are no limitations with a song. To me a song is a little piece of art. It can be whatever you like it to be. You can write the simplest song, and that's lovely, or you can just write a song that is abstract art. ... A lot of my songs are very serious, I'm like dead serious about certain things and I feel that I'm writing about the world, through my own eyes. ... I have a love for simple basic song structure, although sometimes you'd never know it. ... Most of the songs I wrote at night. I would just wake in the middle of the night. That's when I found the space to write.
Eric Clapton always wanted to come out onstage with a stuffed parrot on his shoulder.
I decided early on that I wanted to be Michael Bloomfield, Jeff Beck and Eric Clapton - not George Harrison.
I sometimes try to write something that is actually really simple and I can't do it. So, then, it's not simple anymore. It's really hard and it gets all messed up. I sometimes sit down and try to write a song with just three chords and it doesn't work.
I've heard Eric Clapner, ... I think it was a wonderful thing that Eric Clapner the musician did...So I think that's the wonderful part about it, but listen - I like Eric Clapner!
I'm the youngest of three boys, and my oldest brother was super into Jimi Hendrix and Eric Clapton and played guitar. I wanted to be like him, so I asked for a guitar of my own for Christmas in '93.
I wanted to try to make songs that worked as songs, not just as productions. People wanted me to do a solo acoustic session, they were like "Can you play song on the piano?" and I was like "Not really. It doesn't really work." I wanted to write songs that would work in a variation of instrumentation.
I just wonder where I was when the talent was being given out, like George Benson, Kenny Burrell, Eric Clapton... oh, there's many more! I wouldn't want to be like them, you understand, but I'd like to be equal, if you will.
I wanted a song my 6-year-old niece could listen to in the car. 'Everyday is Christmas' sounds like a sweet sentiment, but in reality if every day were actually Christmas it would be a candy cane-riddled hellscape from which the human race could never awaken. So we're lucky it is just a lighthearted Christmas tune.
I'm no spring chicken. The same arthritis that ate up my left hip that finally got replaced hasn't stopped there... And touring is a lot of work. I'm impressed when I see people like Eric Clapton out there. Gee whiz, Eric, give me a break! I know it's gotta hurt somewhere.
When I got out of high school, I was in a blues band. It was the kind of music I was interested in, and listening to, mostly because it was becoming a vehicle for a generation of guitarists - like Jeff Beck and Eric Clapton. Mike Bloomfield. And that's what I wanted to be, principally: a guitar player.