A Quote by Andy Grammer

You want to hit people's ears to make them want to dance in their kitchen. So that is what a hit is to me. — © Andy Grammer
You want to hit people's ears to make them want to dance in their kitchen. So that is what a hit is to me.
I don't want to have one hit, one song of the summer, and then have me disappear forever. I really want my things to last, and I want my songs and my bodies of work to resonate with people. I want to hit people - at least make a dent in them. I want to make a mark somehow.
That's what stock-car racing is. You hit someone, or you get hit. That's something I had to learn. It's a key factor in why I'm so aggressive. I don't want to have to hit you. But if you're going to hit me, I'm going to hit you.
I want to be strong. I want to be able to hit people. I want people to be able to bounce off me. When I go out there and play, I play to intimidate people. If someone gets hit down by me, they're going to think twice about coming near me again.
When you make a book or you make a movie, it is almost like hitting on somebody. It's not because you want to seduce people that you will seduce them; you can hit on somebody and it doesn't work. But when you hit on them and it works, then it's really cool.
I didn't want anyone to teach me how to hit a forehand or hit 600 backhands. I don't need that. I've hit a billion in my lifetime.
I know from personal experience, if a chef yelled at me in a kitchen, the first thing I'd want to do is hit them with a pot.
What is a hit? Who can tell? Who decides what a hit sounds like? I needed to remind myself that a hit is whatever people decide is a hit. I don't make hits; I make music. People make hits.
If you're going to be adapting something across media, you should at least have the moves that people want you to hit and that you want to hit.
I don't know if I'm selfless - I still want to make a great record. I want to make a hit record. I want to tour; that's not completely selfless. But the truth is I'm not interested in people coming to my show for me as much as I am for them coming to my show for themselves. That's always been how I am.
People are always coming up to me, thinking I've got some magic wand that can make them a star and I want to tell them that no one can do that. Making hit records is not that easy. But it took me time to realize that myself.
I want to hit line droves. I want to hit my doubles, my singles, get on base.
Getting hit is part of the job. You don't want the first time you're getting punched to be in the fight because there's a lot of shock and awe and you won't react well. I like to get hit in sparring. I don't want to get concussed, or I don't want to be getting knocked out, but I want some shock treatment to prepare me for the fight.
I want to avoid every punch you throw at me, but I'm not scared to get hit. But I'm not just going to let everybody hit me.
Cookbooks hit you where you live. You want comfort; you want security; you want food; you want to not be hungry and not only do you want those basic things fixed, you want it done in a really nice, gentle way that makes you feel loved. That's a big desire, and cookbooks say to the person reading them, 'If you will read me, you will be able to do this for yourself and for others. You will make everybody feel better.'
I don't want a new ball when I am bowling in the subcontinent. I want an old ball that can't get hit out of the ground. I want a ball that when I bowl doesn't have true bounce, so that the batsman can't hit it.
I just don’t want to get hit, that’s all. I want to win without getting hit.
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