A Quote by Andy Hertzfeld
We were developing an innovative Personal Information Manager called Chandler but a couple years ago I took off from that to do a project writing down my memoirs essentially, reminiscing about the development of the Macintosh.
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It is strange how the romances of the teenage years retain a poignancy all through life - how a girl who turns you down when you're 16 retains an aura in your memory even long after you, and she, have ceased to be who you were then. I attended my high school reunion a couple of weeks ago and discovered, in the souvenir booklet assembled by the reunion committee, that one of the girls in my class had a crush on me all those years ago. I would have given a great deal to have had that information at the time.
I found it really hard for a couple of years to do any writing because all I wanted to do was play the fiddle. From the minute I took it up, I just couldn't put it down.
I spend a lot of time going over old conversation summaries. A lot of the old ones are about ideas that ended in failure, the project didn't work. But hey, you know what? That was five years ago, and now computers are faster, or some new information has come along, the world is different. So we're able to reboot the project.
I was a producer and rapper before Linkin Park. Once the band took off, it was the center of my focus. A couple of years ago, I started missing doing straight-up hip hop, and that's when Fort Minor began.
The biggest thing this has in common with almost all of our records is the dualities are still there. We kind of stripped down the other things we were writing about, and that's what was left. A lot of good things have happened to us in the last couple of years both as a band and in our personal lives. But something as wonderful as having children also brings along these new fears and terrors and responsibilities.
I've taken every writing class I've had available. I took classes in high school, and I took English and writing classes in community college, but I dropped out of college. I also attended a local writing workshop two years ago.
I think I have always sort of cultivated a flowery writing style. I've always sort of over - written in every genre that I've attempted. I went to college and took a couple of writing classes and I remember my teachers were always incredibly encouraging. But it was inevitable to get the criticism: "Take it down a notch!" But the nice thing about screenwriting is that you don't really have to.
I worked at Disney many years ago. They just let me sit in a room for a couple of years and draw whatever I wanted to draw, so it's a very personal thing to me. Drawing and everything you do there is something meaningful and personal.
My manager came up with the name 'State of the Industry,' and it was just one of those things. It just took off. Well, I don't know about 'took off.' I'm not in the stratosphere.
But in the years since the neoliberal project really has been stripped down to what was always its essence: not an economic project at all, but a political project, designed to devastate the imagination, and willing - with it's cumbersome securitization and insane military projects - to destroy the capitalist order itself if that's what it took to make it seem inevitable.
In America, we happen to be living in a third world country from the point of view of economic and social development. I came back from New York yesterday and I took the fastest train in the country, the Acela. My wife and I took the New York-Boston train sixty years ago - it wasn't called the Acela then - and I think it's improved by about fifteen minutes since then. Any other country in the world would be about half the time. In fact when it's riding along the Connecticut turnpike it's barely keeping up with traffic, which is just scandalous.
I put off writing the first Left Behind book for a year because I got invited to assist Billy Graham in his memoirs, and had we known what we were putting off for a year, we might not have put it off.
My three years in Manhattan were sort of my university years. I was learning by myself, and it was a tough time. That's when I began writing articles for newspapers back home about life in New York. This interest took over, and I moved from painting to writing.
I was walking home from school when I was about 17 with two friends, and they took a left into an electrical shop. While we were chatting away, they grabbed a couple of forms and I was handed one. My mum found it and made me fill it in. I got called for an interview, and that's how I ended up being an electrician for 11 years.
Luckily, with 'The Collector' the first time around, it really took off in the DVD world and foreign, so it was just a pleasant surprise that a couple of years later there we were, doing it again.
Faith is a personal matter, and should never be a cudgel to stifle inquiry. We tried that approach about 1,200 years ago. The experiment was called the Dark Ages.
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