A Quote by Andy Jassy

Our leadership principles often have tension in them. And I think that's actually a good thing and it makes sense. — © Andy Jassy
Our leadership principles often have tension in them. And I think that's actually a good thing and it makes sense.
Our children, our grandchildren, our students, our young athletes. We need to be pouring leadership principles into them constantly, and teaching, and instructing them how to become good leaders in the future.
People are actually very good at being communists in the sense that they instantly abandon capitalism, that they love these relationships of mutual aid, because the astonishing thing about disasters is that people are often weirdly joyous in them, because they've recovered a sense of agency, a sense of power, etc.
It's hard to predict and to say what goes on inside the minds of an artist, but that's what makes them an artist. That sense of creativity. That thing that makes them tick is probably the very thing that pushes them to the extremes that sometimes can cause, you know, fatalities and things that, you know, that end up not being good.
Leadership is about having principles. A leader must have a vision and principles that will endure for all time and must always be true to these principles, applying them to changing circumstances
I don't think that there are very many good writers who don't live without a sense of tension. If they haven't got one immediately available to them, then they usually manage to manufacture it in their private lives.
The loss of seriousness seems to me to be, in effect, a loss of hope. I think that the thing that made people rise to real ambition, real gravity was the sense of posterity, for example - a word that I can remember hearing quite often when I was a child and I never hear anymore. People actually wanted to make the world good for people in generations that they would never see. It makes people think in very large terms to try to liberate women, for example, or to try to eliminate slavery.
Sometimes we forge our own principles and sometimes we accept others' principles, or holistic packages of principles, such as religion and legal systems. While it isn't necessarily a bad thing to use others' principles - it's difficult to come up with your own, and often much wisdom has gone into those already created - adopting pre-packaged principles without much thought exposes you to the risk of inconsistency with your true values.
Well, certainly I don't think that there are very many good writers who don't live without a sense of tension. If they haven't got one immediately available to them, then they usually manage to manufacture it in their private lives.
I use to think that the friction was a bad thing. Everything is to ease pain in our society; pain is very much the enemy. And I don't think that's true. Tension is a good thing. To be pulled tight: that's the only way you can make a proper noise on the guitar or violin.
There is this thing called the university, and everybody goes there now. And there are these things called teachers who make students read this book with good ideas or that book with good ideas until that's where we get our ideas. We don't think them; we read them in books. I like Utopian talk, speculation about what our planet should be, anger about what our planet is. I think writers are the most important members of society, not just potentially but actually. Good writers must have and stand by their own ideas.
I often write about nonreligious people, and I try to find situations where their sense of humanity is restored or discovered. I think you can be a good person in many ways. And I think you often have to be careful that prayer can seem superficial, because it's a very complicated thing to love your neighbor as yourself.
I think the country's in trouble. And I think I have a pretty clear sense of the values and principles that have made this country great. I've had a chance to govern and lead with those in mind, with some significant success in Minnesota. And I think the country needs that kind of leadership and insight and perspective.
I can understand the Greek idea that there are these these principles of lightening or of war or of wisdom and to embody them, to personify them into a Athena or Aries or whichever god you want makes enormous sense.
The price we pay for our irresponsible explanatory urge is that we often spoil our most pleasant experiences by making good sense of them.
Look, Americans will go for leadership that makes sense. Our job, you know, as public officials, is not to put our finger in the air. Our job is to listen, and then lead.
I think the most important part of storytelling is tension. It's the constant tension of suspense that in a sense mirrors life, because nobody knows what's going to happen three hours from now.
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