A Quote by Andy Kaufman

Pure entertainment is not an egotistical lady singing boring songs onstage for two hours and people in tuxes clapping whether they like it or not. It's the real performers on the street who can hold people's attention and keep them from walking away.
I think we live in an entertainment world where performers like to flaunt how great they are. The Conchords don't do that. Even when they stumble onstage, people like it.
I was three years old, and I walked onstage during a performance that my father was a tenor in 'The Barber of Seville.' I walked out onstage, and people started laughing and clapping, and that was it. That was all it took. Laughing and clapping, I still enjoy today.
The two hours onstage is great. But I can only play a show and then take a night off. I have to sing for two hours, and then I've gotta rest it for a night. So it's the other 46 hours that are just boring as heck.
There are two types of people, two types of performers: Performers who know how to keep a show going literally when the power is gone and performers who haven't had that much experience and will panic and freak out and don't know what to do.
There are two types of people, two types of performers: Performers who know how to keep a show going, literally, when the power is gone and performers who haven't had that much experience and will panic and freak out and don't know what to do.
I like singing in the street, so if you saw a little Indian kid walking on the street singing loudly, that was probably me.
Whether I'm performing in a club or onstage as Erika Jayne, whether I'm making records, whether I'm doing TV, I've got to entertain, and I have to take people away from their space and bring them into mine.
I love making people sing. I love group singing, sacred harp singing, choral singing, recordings of people singing sea shanties, work songs, prison songs - how people just sang to get through things.
I do not like people writing songs and then other people singing them. A lot of people don't even sing their own songs anymore. It's like producers these days have ghost producers; 'I don't produce, but I am a producer.'
I am going to keep on singing. I have no intention of retiring. Actually, I always wonder whether people know my songs in the different countries I visit. I feel nervous over whether they will sing along with me or not.
I prefer to take actors and put them in real settings and real locations and real situations rather than create artificial locations that serve the characters. It's just much easier when you are walking down the street with your actors to do that in a real street that's still open with people on it, rather than to close it off and bring in extras.
If you're walking with your lady on the sidewalk, I still like to see a man walking street-side, to protect the lady from traffic. I grew up with that, and I hate to see something like that get lost. I still like to see that a man opens the door. I like those touches of chivalry that are fast disappearing.
When you hear kids singing your songs it just validates them, they sound like real songs when you hear them back, it's quite refreshing. Like songs that could have been around for a hundred years.
I always knew I could hold people's attention and make them laugh every 30 or 40 seconds, and I got approval and attention for that, so the behavior was reinforced. Later, that became an important skill on the street corner.
The attention is to be kept pure. In Sahaja Yoga you know all the methods how the attention, one can keep it pure. If the attention is not pure, then this desire will be always attacked by all petty, nonsensical things which have no meaning in your ascent.
Even on tour, I spend two hours a night singing songs and the rest of the time staring at the back of people's heads on airplanes, some fat guy coughing on me.
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