A Quote by Andy Kindler

I came out to L.A. in '78 to be a musician. I didn't get into comedy until the mid-Eighties. — © Andy Kindler
I came out to L.A. in '78 to be a musician. I didn't get into comedy until the mid-Eighties.
I will do comedy until the day I die: inappropriate comedy, funny comedy, gender-bending, twisting comedy, whatever comedy is out there.
I was just utterly oblivious to how difficult it was, and how difficult it was going to be, and then also in the mid-eighties through the mid-nineties there was a boom of sorts. So there were plenty of stages. If I had started now, there would be very few places to get better and better.
Punk-rock records came out and you bought whatever you could find. But Devo didn't happen for another three years. Sex Pistols didn't tour the States until '78. At that time, for me, it was really about CBGB, Patti Smith, Talking Heads, the Ramones, and Television.
I'm not going to stop just because I'm 78. Bunuel made films into his eighties, and he could hardly see. I hope I don't run into that problem.
At one point in the mid-Eighties I shared a promoter with the Smiths. One night, we were sitting backstage when Morrissey burst in, utterly distraught, sobbing his heart out. Turns out someone had thrown a sausage at him on stage during 'Meat Is Murder.'
I had to get out of the Boston area, so I flipped a coin and said, 'Heads - Miami, tails - California. I was in my mid-20s and came out here with no training. Acting wasn't even in my mind.
I came into my own, you might say, in terms of putting out my first record quite late in life. And yet there's some authors and photographers and even probably recording artists that didn't really hit their stride until their mid-50s.
I love doing comedy. But sometimes, that exists at sort of the mid-level to the high-comedy level of craziness, and I don't necessarily get to plumb the depths of kind of serious acting as often.
I've been a musician and a songwriter for years, since I was a teenager, and made my living doing that on and off for a long time, so when it came to writing comedy material, it was the thing that came easiest to me, the most natural way of writing.
Fashion was in a crisis up until the mid-'90s and, when it came out of the crisis, it was a very different place. It was a place that nurtured and cultivated young entrepreneurial designers.
I'm a comedian. I can't get a spray tan. I can't get a weave. I can't get my teeth done. Can you imagine if I came out on stage looking really hunky? Comedy doesn't work like that.
It took me twenty years to get Steven Parrino's work. From the time I first saw his art, in the mid-eighties, I almost always dismissed it as mannered, Romantic, formulaic, conceptualist-formalist heavy-metal boy-art abstraction.
I didn't really get into comedy until a couple months before I started doing comedy.
Neck-down comedy was no longer valid after the 1980s alternative comedy revolution. Everything became about the cerebral. And with that came positive things - it helped get rid of some of the sexism and homophobia - but it also meant a lot of physical comedy was lost.
If you're a musician, you're a musician; you don't ever get that out of your bones.
You gotta understand, there weren't a whole lot of roles for Hispanics in the Eighties, so comedy was really the way I could really feed myself and eventually feed my family. I was an actor who learned to be a comic, and it's cool to come back and get back into acting - move forward in the direction I started out to do in the beginning.
This site uses cookies to ensure you get the best experience. More info...
Got it!