A Quote by Andy Milonakis

There's little kids on trains coming up to me, singing my theme song, and they can barely walk. — © Andy Milonakis
There's little kids on trains coming up to me, singing my theme song, and they can barely walk.
There’s little kids on trains coming up to me, singing my theme song, and they can barely walk.
Coming from a little suburban town, I wasn't a hip city kid. I was quite the opposite, really. Songs like 'Saturday's Kids' rang a bell for kids all over the country. That song was about the kids I grew up with.
You know the one with the big ears? Wait a minute, he ain't my president, he might be yours, he ain't my president. You know that woman he had singing for him, singing my song - she's gonna get her a- whipped. The great Beyoncé But I can't stand Beyoncé. She has no business up there, singing up there on a big ol' president day singing my song that I've been singing forever.
Imagery is the most important to me when singing stories. I try to paint pictures with the words and decorate with little to no singing....let the song do the work.
I'm singing the music publisher's theme song - it ain't a commercial.
I was approached by the writers of 'The Bridge,' and they were looking for a song that would go along with the theme of the show. They actually gave me a copy of the script, and gave me a little background info on it, and I started to work on the song from there.
My first favorite band that made music important to me was the Beatles. I was a little kid. I didn't know who was singing what song or who wrote what song.
It's great for the little girls coming through the system now to have women to look up to because, when I was younger, my role models were more, like, Michael Owen and players from the men's team, but I get kids messaging me now saying they look up to me, and that's really touching for me, but it's great for the kids to have people to look up to.
It's like a prize fighter. He knows he has a fight coming up, so he gets in the gym and trains. So when I have a show coming up, I practice yodeling.
Then a friend of Jim's suggested we make a theme song to explain the story, and this is where the Mads came from. Josh and I wrote it into the theme song.
It's amazing when you're playing to a crowd who barely understands English but they're singing parts of your song back to you.
I would love to do a Bond song, and I could have done a Bond song: I was offered a Bond theme, but I turned it down because I didn't like the song. But as it turned out, I was right anyway because the song was the only Bond theme that never became a hit, so I'm glad I wasn't associated with that!
When my generation, those early days of television - I know I've been thinking about this lately - my two flashes of me as a little boy. One, I'm standing in front of the radio freaking out that Nat King Cole's singing 'Lady of Spain', just this stuff coming out of the radio, and Guy Williams singing 'Wild Horses' coming out of the radio.
On the song 'Step,' the chorus is Ezra is singing into my laptop with the laptop microphone, and you can hear the trains going by my apartment, but we liked the quality of that recording.
My mum said I used to sing on the bus. I was about five and would simply sit, staring out of the window, singing to myself. When I got to the end of the song and everyone gave me a round of applause, it scared me because I was in my own little world, but I obviously loved singing even then.
By the 6th grade I stopped doing ordinary things in front of people. It had been ordinary to sing, kids are singing all the time when they are little, but then something happens. It's not that we stop singing. I still sang. I just made sure I was alone when I did it. And I made sure I never did it accidentally. That thing we call 'bursting into song.' I believe this happens to most of us. We are still singing, but secretly and all alone.
This site uses cookies to ensure you get the best experience. More info...
Got it!