A Quote by Andy Milonakis

I just want $1 million next season, that's all I want — © Andy Milonakis
I just want $1 million next season, that's all I want
As I start to think about what I want to do next, there are eight or nine networks I would be thrilled to work with. I remember developing at FX and the executives there telling me, 'We don't want to do shows that 20 million people kind of like; we want to do the show that 2 million people really like.' That's such a refreshing thing to hear.
It's strictly business. If I loan you $25 million, I want my money back. I don't want to hear about the social impact. That's great for you, but now I'm $25 million in the hole, so next time you come to ask me.
Inside me there are two people. One is a very aggressive - I want to win; I won the Premier League, but now I want to win on Saturday. I want to win next season - and is never satisfied.
I want to be back every year. If I don't go, I want it to be because someone else just was having a great season. I want it to at least be a close call.
You don't want to be on a show that no one wants to see, and then think your phone is going to be ringing off the hook to do other jobs. I'm not tethered to the fact that my demise may be reached this season or next season, or whatever.
When you make a film for a million and a half dollars and it opens at 20 million, the next question out of everyone's mouth is, 'When's the next one, when's the next one, when's the next one?'
In spring training, I just try to spread everything out so I can be 100 percent before the season starts. I don't want to start feeling like I don't get it once the season starts. I want to be 100 percent on Opening Day.
To somebody else saying all I need is 10 million dollars, then I've probably made it. But there are Paul McCartneys walking around with $500 million catalogs. That's pretty much what I want. And that's just music. That doesn't even include directing and writing of movies and all of the other things that I want to go on to do. So I have a big dream.
They [ Factory Records] are always looking for the next group, the next big thing, to bring the record sales in and for them to promote and everything, but Factory just sign who they want to, put records by who they want to out, package it how they want to, how they like doing it. It's just run like that.
Roadrunner wanted to make Born in the Flood the next Nickelback, but I didn't want to be that. I didn't want to be a huge rock star playing songs I didn't like. I didn't want to be stuck playing 'Anthem,' the song everybody liked but I didn't want to put on the record, for the next five years.
I don't want to lie. Always, I want to be honest and I say,I don't think about tomorrow. I don't think about next season.'
My job, I believe, is to convince you to allow me to be part of your brand. Then when you look to present yourself a certain way you'll come to me, go to our website, and you'll buy want you want in the color you want, in the size you want, for the season you want.
I want to be stereotyped. I want to be classified. I want to be a clone. I want to be masochistic. I want to be sadistic. I want a Suburban Home. I don't want no hipppie pad; I want a house just like Mom and Dad.
The season is long. You go through aches and pains with your brothers. When it's on the line, you just want to give them - you know, you want to perform. You want to give them a shot to win the game.
There are some actors who will come in firing and they just want to go for it. But they don't want to do a million takes.
That's what I love, getting the tube, not getting any recognition, trying to be as normal as possible. Sometimes you get a big Arsenal fan and they tell you they have a season ticket or want to have a chat, which is fine. Some want a selfie, but sometimes I just want to say: 'Let's just shake hands. It means more than a picture.'
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