A Quote by Andy Muschietti

What captivated me about 'The Flash' is the human drama in it. — © Andy Muschietti
What captivated me about 'The Flash' is the human drama in it.
Flash is about freedom; Flash is about expression. Flash is about just the joy of exuberant running and of freedom, and the moment you weight him down with too much Batman-like baggage... that's not the Flash anymore.
Give me lust, baby. Flash. Give me malice. Flash. Give me detached existentialist ennui. Flash. Give me rampant intellectualism as a coping mechanism. Flash.
I'd like to go back and revisit the Flash/Captain Cold relationship, because that to me has been the heart of it all along. My impression is that The Flash is a show about a boy's journey into manhood. For the Flash character, there is a variety of male models presented to him, and Captain Cold is one of them.
I'm a novelist and science writer. I wrote a book about human impacts on marine mammals caused by agricultural drainage of nutrients on our coasts, and another book about evolution. Seasteading captivated me because it incorporates both evolution and environmental restoration.
It is very linear storytelling, and I think that's not so much the fashion. I was watching a new drama the other night which was extremely non-linear, where you flash back and flash forward in ways that certainly keeps you on your toes as the audience. There's not much of that courage with the storytelling in our Maigret film.
Comedy and drama are different sides of the same coin. And the thing about comedy and drama is about likability. It's about character first. It's about story. And for me, it's about empathy, and I think the realer someone is, the further you can go either way with them.
It made me love talk that sought answers to questions that could help nobody, that could only keep alive in me that enthralling sense of wonder and awe in the face of the drama of human feeling which is hidden by the external drama of life.
For me, a good thriller must teach me something about the real world. Thrillers like 'Coma,' 'The Hunt for Red October' and 'The Firm' all captivated me by providing glimpses into realms about which I knew very little - medical science, submarine technology and the law.
I guess you can tease me about being a drama queen, because that did heighten the drama.
The thing that I love about The Flash and about superhero shows, in general, is that it's not about having superpowers that makes you a superhero. You don't have to be The Flash and have super speed to do the right thing. You can be a great reporter or you can be a cop, like Joe West, and still fight for the things that matter.
Nature is full of drama. I know nothing about biology, about birds, about insects, about the details of politics. I just make movies about human interest stories.
Drama is hate. Drama is pushing your pain onto others. Drama is destruction. Some take pleasure in creating drama while others make excuses to stay stuck in drama. I choose not to step into a web of drama that I can't get out of.
What makes art powerful is a flash of recognition, a frightening encounter with something familiar about the human condition.
People think comedians don't do drama. Comics are drama. And what is drama, as opposed to comedy? It's all the same to me.
I'm so not a comic book guy. The most I knew about 'The Flash,' as a little kid, was the Underoos. I had 'The Flash' Underoos.
Star Trek speaks to some basic human needs: that there is a tomorrow — it's not all going to be over with a big flash and a bomb; that the human race is improving; that we have things to be proud of as humans. No, ancient astronauts did not build the pyramids — human beings built them, because they're clever and they work hard. And Star Trek is about those things.
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