A Quote by Andy Partridge
We do this for the art, not the adulation. I'd rather our music get liked and we get ignored. I don't want to be adored for anything other than the music.
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We're all friends, inside the music and outside the music. I mean, we don't sound anything alike, we don't approach our music anything alike, but we come from the same genuine place. We want our music to be real and we don't want to compromise our art.
With chamber music you can get people who work on the music for months, rehearsing it every day for a couple of hours, and if they get it in a different way than you do, which is entirely possible, it's not as a result of anything other than their good musicianship.
I need a hobby, and I don't want it to be basketball. I want it to be music. So to get away from music, I do other music.
I never liked opera growing up. I always liked chamber music or solo music even more than orchestral music.
To me, art and music inform each other continually, and when I was making more music there was an overall aesthetic that was shared by both mediums. Now I always listen to music when I work, so when I am working a lot, that is when I start searching out new music and finding new things to get excited about.
I never wanted to do music to get girls, right, to get popular, or anything like that. I really love music and I want to make it better the best I can. I can tell when something's real, or when something's put together. I can just feel it. So I'm my own worst critic and harshest critic and I just want to put honest music out there.
My dad knows great music. So I'm taking music to him to get an opinion rather than praise.
I like to make music because I've been making music since I was 7. I can get across the things that I want to say in my music so that I don't have to say anything. I don't have to speak out about the things I believe; I can say them in my music.
Generally I just pick music that I like. That's the part I really enjoy: When I get permission for the songs I want and put them into the scenes. It's always hard when you're doing a low-budget film, so it's great when you can get all the music you want to get.
You have a history of art-music that you equate with music. That's what I love about that term art-music. It separates itself from music-music, the music people have always made.
I get to focus on something I love to do 24-hours a day rather than trying to squeeze it in between midterms, or even during my normal workday. When I was at Google it was like you wake up at 7 and then you get home by 7 and you start your second job of music. So now I get to focus all my efforts on music, travel and play shows and do all of this stuff. That's the difference - That's all my life is, all day.
When I get out of the studio, I want to disconnect from music. I would rather spend time with my family or watch a movie. I cannot take any more music.
I've always just adored music. It's my first love, really. I admire and respect people in the music business. You really have to work hard and diligently. Sometimes actors can be lazy and get away with it, but you can't do that if you're a musician.
I didn't get into music to become famous and I didn't get into music to become rich either - I got into because I liked it.
Through the music and words we, as the band The ex, express our thoughts and opinions and ideas. It is not always totally necessary for our audience to clearly hear and understand every line I sing. The power and impact, the positive energy of the music are as much part of the whole thing as the words. We are not trying to convert people, but we believe in our music and like to play it in front of other people, hoping that we can get them as excited as we are about our music.
With digital space, the content has become accessible for the audience. So, they feel more connected to you as you are more accessible to them. The kind of adulation actors get today is very different from the kind of adulation you had for a star which came from aspiration rather than relatability.
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