A Quote by Andy Partridge

I've always liked the idea of improvised music. Improvised anything. It's what conversation is. — © Andy Partridge
I've always liked the idea of improvised music. Improvised anything. It's what conversation is.
As there are more online archives of improvised music, it becomes more like the daily practice of playing it. It lessens the idea of there being masterpieces of improvised music through benchmark recordings.
At a certain point, I started playing improvised music. After a couple of years of this, I did a little bit of analysis and found most improvised music the kind I was listening to at least, which was mainly European to be as, if not more, formulaic than any other kind of music. For example, improvised pieces would often begin and end in the same way.
I am an improviser, ... I improvise music. Whatever you want to call it all, it is all improvised music. I may capture it and go back and write it down for others, but it was originally improvised.
What I'm after is a composed music that will sound like improvised music when improvisors play it. You shouldn't be able to tell what parts are being improvised and what parts were written out beforehand; it should sound like the same music.
A master of improvised speech and improvised policies.
I actually did a lot of improvised movies or movies that were partially improvised.
I loved the freedom of improvised music.
I like little collaborations where the other thing happens, where it's half-baked or it's improvised, and let's develop it together. "What do you want to wear? Do you have an idea?" All that's fun to do, and I like that, but it doesn't take anything away.
When I go in to 'Comedy Bang Bang,' I'll go in most of the time with some beats of where we're going with the idea. Everything else is improvised. Nothing is scripted. A lot of times I'll go in there with nothing and it's just conversation with the character.
If you're truly playing improvised music, I don't care who you are or where you come from, you don't know what's going to happen. I feel essentially we really don't know anything anyway, most of the times we're just guessing.
There's an awful lot of resources that can be drawn upon in an improvised music concert.
Effortless [performance] and improvisation are two different things. Just because it's improvised doesn't mean it's effortless and just because it's effortless doesn't necessarily mean it's improvised.
If melodrama is the quintessence of drama, farce is the quintessence of theatre. Melodrama is written. A moving image of the worldis provided by a writer. Farce is acted. The writer's contribution seems not only absorbed but translated.... One cannot imagine melodrama being improvised. The improvised drama was pre-eminently farce.
'Portlandia' is 100 percent improvised, and I came into this business not knowing anything.
In the U.K., classical music is composed by individuals and written down. Indian music is based on certain sequences called ragas. When I perform live, 95% of the music is improvised: it never sounds the same twice.
'Curb' is 100 percent improvised, which is wild. I'd never done anything like that.
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