A Quote by Andy Pettitte
Your pitching coach is almost like your spouse. He's someone to go to when you want to gripe and complain. The big thing for me with Mel (Stottlemyre) is that we've been through so much together. He's been through everything I've been through on the mound. He was a Yankee who won twenty games in New York and a Yankee who didn't win twenty games in New York. For me, he's been there and that's what makes a good pitching coach. He's a good man, too.
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Coach [Pat] Riley's record speaks for itself. What makes him so special is he is a coach clearly concerned about winning. His whole thinking when he wakes up every day is how can I make this team [ New York Knicks] more focused and going through 82 games during the regular season and the playoffs.
My coach in college always told me, 'You don't go out there to win lackadaisical, you don't go out there to win by one point, you don't go out there to coast through - you go out to dominate. You impose your will on a man.' And he was my fight coach for a little bit, too, and I did the same thing.
It had always been a dream of mine to come to New York to work. Coming to New York and looking for work is one thing, but coming to New York and already having a job and feeling like you are already part of the city has been an amazing experience for me.
If I was going for the popular vote I would've won easily. But I would've been in California and New York. I wouldn't have been in Maine. I wouldn't have been in Iowa. I wouldn't have been in Nebraska and all of those states that I had to win in order to win this. I would've been in New York, I would've been in California. I never even went there.
Two things I really wanted to be: a stand-up comic or a New York Yankee - or a really funny New York Yankee.
If you look at professional baseball in New York, you can get all 162 Yankee games on television anytime you want. But people still go to the ballpark because they are two different experiences. It's the same with film.
It seems always to have been difficult to have been a New York Philharmonic conductor because of the nature of New York. We are in direct competition with the great orchestras in the world who come to play in our hall or in Carnegie, and we are constantly compared. I think that 's a good thing.
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New York is the thing that deformed me.
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And New York is the thing that I love too.
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