A Quote by Andy Richter

Some people are born with a brain that has this weird, magical mathematical thing that makes them an amazing jazz musician. — © Andy Richter
Some people are born with a brain that has this weird, magical mathematical thing that makes them an amazing jazz musician.
It's funny to find there are still people around who think if a musician has schooling, it automatically makes him a lesser jazz player. But you don't learn jazz in school.
There is a mathematical formula to why you got famous. It isn’t some magical thing that just started happening.
Some people think I'm a rock 'n' roll musician and some think I'm a jazz musician but, for me, there is no difference.
[S]ome people are self-starters, and some people are born lazy. Some people are born victims. Some people are just born to be slaves. Some people are born to put up with somebody else making every decision for them.
I'm not a jazz musician, because, I mean, firstly, I can't play anything. I'm not bad on the tamborine. I have a certain way with the triangle. But I'm not a jazz musician ... my band, they always joke, they always say that I'm a disposable, pop, jazz superstar.
I think that God gave us a brain, and that it's the only thing we have to survive. All life forms have some advantage, some trick, some claw, some camouflage, some poison, some speed, something to help them survive. We've got a brain. Therefore it's our duty to use our brain.
What makes jazz different is that you can't predict it, it's all about freedom. Just when you think you know what you're going to hear there'll be a left turn, a jazz musician will change it up.
I'm not a jazz artist. Don't get me wrong now, it's all music to me. I just played music and if it's likeable, someone liked the sound, then fine, but I'm not interested in being a jazz musician. I don't consider myself a jazz musician. I don't have anything to do with that word.
I always leaned toward free jazz... experimental jazz and progressive jazz. I feel like jazz is just part of the flavor and palette that you have as a musician to experiment with.
I don't really have a career as a jazz musician. I don't really have a career as a classical musician. I don't really have a career as a college professor, and yet I did all those things and I did them well. I put out some records in the 1980's and 1990's that changed the way some trumpet players played.
In terms of success and drive, I think some people are born with it, sometimes certain circumstances push you towards success... trying to prove people wrong. I'm not exactly sure where mine comes from, but, I have this thing inside of me that, when someone tells me that I can't do something, I become obsessed with proving them wrong. It's a weird thing.
I always tell my students when you're going to be a jazz musician the first thing you've got to do is be a professional musician, and that means you have to feed yourself with the instrument.
The most amazing thing is when you find yourself watching someone in the cafe or something doing something weird. It's amazing what people do, isn't it, when you just look at them, when you take the time to look.
In order for a musician to grow, he's got to pay his dues. Some musicians ask me, 'well, what do you mean? You're saying I have to 'starve' and pay all these dues just to play jazz?' And my answer to them is, well, to some degree, yes! Because in order to play jazz you have to live it. Those notes mean something. They don't just come from your brain, they come from your heart and soul too. And in order to have that heart and soul you have to experience life. So I relate my music to my life and my life style. You can't separate the two.
Some people are born with a fire inside them. The will to succeed. It isn’t a learned behavior. It’s just some unknown biological factor that makes them try harder.
I went to jazz school. Not to say I'm a great jazz musician, but I studied under some great teachers. It was an important part of my life.
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