A Quote by Andy Richter
If you start to just aim for what the audience wants to hear, you're already hamstrung because you don't have any freedom.
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If I knew what the audience wants to hear I would be the richest guy in the world! There are a lot of people who think they know what the audience wants but are sadly rejected.
The aim of art, the aim of a life can only be to increase the sum of freedom and responsibility to be found in every man and in the world. It cannot, under any circumstances, be to reduce or suppress that freedom, even temporarily.
The audience wants to hear 'Rock n' Me,' 'Space Cowboy,' 'Living in the U.S.A.' When you start to play something else, you can feel the interest and enthusiasm go; the steam goes out of room. They are really 'Greatest Hits' fans and that's what they want to hear. It's disappointing that it's this way in the U.S.
I think it's great training for any comedian to start on cows. Because with cows, you expect them to be bored and just stare at you blankly. And that's exactly what you'll get at a comedy club. If you can toughen up with a cow audience, then you'll never be worried with a human audience.
I have a lot of friends who were stand-ups, and they just stopped after a while, because they didn't like that battle, or they just couldn't do it. And then they would get on a sitcom and get visible and get back into it, because the audience was just way easier on them. But they lost those crucial years of learning to turn any audience into your audience.
As soon as you start preaching, nobody wants to hear you because then you're a jerk.
I don't believe that poetry is in danger because nobody wants to read it or appreciate it. There is a tremendous audience for it on any given day or night. You just have to know where to look.
I think any time you hear that you're about to paralyze yourself, or even worse, it's just scary because you start to realize how precious life is.
When a person places the proper value on freedom, there is nothing under the sun that he will not do to acquire that freedom. Whenever you hear a man saying he wants freedom, but in the next breath he is going to tell you what he won't do to get it, or what he doesn't believe in doing in order to get it, he doesn't believe in freedom. A man who believes in freedom will do anything under the sun to acquire... or preserve his freedom.
We will freedom for freedom’s sake, in and through particular circumstances. And in thus willing freedom, we discover that it depends entirely upon the freedom of others and that the freedom of others depends upon our own. Obviously, freedom as the definition of a man does not depend upon others, but as soon as there is a commitment, I am obliged to will the liberty of others at the same time as my own. I cannot make liberty my aim unless I make that of others equally my aim.
One wants recovery to start from the bottom, and the other wants it to start from the top. I don't know which is right. I've never heard of anybody suggesting that they might start it in the middle, so I hereby make that suggestion. To start recovery halfway between the two, because it's the middle class that does everything anyhow. But I don't know anything about it.
I teach you that there is no other aim than to live with such totality that each moment becomes a celebration. The very idea of "aim" brings future into the mind, because any aim, any end, any goal, needs future. All your goals deprive you of your present, which is the only reality you have. The future is only your imagination, and the past is just footprints left in the sands of your memory. Neither is the past real anymore, nor is the future real yet. This moment is the only reality.
I've never stopped making new music, and whether the audience wants to hear it or not, I'm going to play it. Because I'm an artist, and I create, and I've got new stuff.
Freedom only for supporters of the government, only for the members of one party - however numerous they may be - is no freedom at all. Freedom is always and exclusively freedom for the one who thinks differently. Not because of any fanatical concept of 'justice' but because all that is instructive, wholesome and purifying in political freedom depends on this essential characteristic, and its effectiveness vanishes when 'freedom' becomes a special privilege.
The audience wants control. They want freedom.
As soon as you start making a film that's expensive then the studio wants total control over all elements of it because they want to get all their money back. If you make a smaller film you can try a lot more things because you can have control over it and not just be a hired director. The lower the budget the more freedom you have.
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