A Quote by Andy Roddick
I think I have a lot of room for improvement. My serve is okay, but I need to work on a lot of things: return, transition game, backhand.
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I had a lot of success in big tournaments as well - won Masters Series in Rome - so a lot of things are coming together. I've done a lot of hard work in the off-season. A lot of physical work, a lot of work on my serve and on my return game.
I used to hear a lot that all I could do was hit a serve, I couldn't volley, I can't hit a backhand, I don't return well, and then people would turn round and tell me I'm underachieving.
For me, there is a lot of room for improvement and there are a lot of things I would like to be better at.
I think some people need the assurance of people around them and ideas worked out in advance. I think it keeps me an edge that to be creative on the spot. You have to think of things to do when you meet people. You limit your choices from the beginning. So I don't bring a lot of lenses, cameras, all these elements that can help the picture to a shooting. You confine yourself to, say, one room and you just make it work. You become very creative in that little space. You have left a lot of other options out of the game.
There were a lot experiences I had during my transition and post transition, and I feel that I learned a lot, and I wanted to share that through my work as an artist.
I still have a lot of room for improvement. I need to become a more skilled player.
I think that's what's happened with a lot of people in films these days: they're so enamored with the process, whether it's CGI or using a huge crane that they lose sight of being resourceful. Sometimes you go into a room and all you need is one lamp to light the room. Sometimes all you need is just one simple location to do the job. I think that's more out of habit: you work with what you have to work with.
My serve and my forehand I pretty much always had, but my backhand was a made backhand. I worked on it for years.
The engine room really is a metaphor for my head, and all the things bangin' around, and I think I share that with a lot of people. A lot of memories, and a lot of hopes, and a lot of just dealing with the day-to-day. Sometimes it gets all abstract.
I need to improve on a lot of different areas. I need to improve on my timing on my shot-blocking, when to go, and when not to go. And there's definitely always room for improvement on my shooting.
I don't like anything that's "just an escape." To me the best part of golf is that, unlike my tennis game, I can actually get better. I've probably reached my plateau in tennis, but in golf I have a lot of room for improvement. I really enjoy working on my game. I like practicing. I chart my rounds.
I see that things are getting made a lot faster for less money and there are a lot less opportunity, I think, for actors. There's not a lot of work in the U.K. I mean, that's why everyone's moving to America because that's where the work seems to be. But it definitely feels like a lot more of a slog to get a gig these days. I suppose that's a lot to do with our current climate and financial messes. I certainly see that people seem to have to work harder with a lot less time.
I think as more people use the phones to access the Internet, they have a lot less patience for trying to find things on the search engines. That is because you need to figure a lot of things out for search to work.
I don't think you ever want to be too settled, because once you become settled, you lose a lot of your drive. I mean, I am settled off the court; the business side of things, the papers, contracts and all of that, but there are a lot things that I need to work on, on the court, like my free-throw shooting, which has been terrible. I need to work on being more demanding in the post. My teammates are going to come to me and I just need to go out there and score in the post, which will open up things for our guards.
Just from my own experience, a lot of the comedians I used to work with were miserable in their actual lives. I think you need to be able to see a lot of negative in things in order to extract material, so there's probably something to that. A lot of the people I used to work with were very, very, very unfunny offstage, so that's a pretty common thing.
I still have a lot of room for improvement.
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