A Quote by Andy Ruiz Jr.

Unfortunately, when you're learning on the job, things can go wrong. — © Andy Ruiz Jr.
Unfortunately, when you're learning on the job, things can go wrong.
In the production, it's my job to find every flaw and the ones that can't be fixed, and that's why my job kind of sucks. My first reaction to everything is: here's the 20 things that are wrong with it. Unfortunately, that's how I have to live.
On tour things go wrong all the time, I mean that's live music, that's what it's all about. I think one of the things I'm learning is that when stuff goes wrong, really brilliant musicians have the ability to turn this into something interesting and unique. I think good people in any sphere of anything know how to deal with problems, how to take it in your stride. We are learning this by touring, by being put in these positions when we need to focus and deal with it.
Every manager, when things don't go well, they feel bad about it. That, unfortunately, is our job.
Coming in, you're so concerned about learning your job and the things you need to do to be successful individually. Once that's good, you can start to focus on learning guys around you and learning defenses and what they're trying to do to you.
It is our knowledge - the things we are sure of - that makes the world go wrong and keeps us from seeing and learning.
You can go to school and learn and that works for some people. But I think the best kind of learning is practical and learning on the job.
In New York the stakes are so high. In urban centers the stakes are so high. You marry the wrong person, you go to the wrong college, you take the wrong job. Any of these things could really get you in trouble down the road. Or in your mind anyway. You're afraid to make any move, it's paralyzing.
I think that one of the things that we have to recognize is that the longer somebody doesn't have a job, the harder it is to get a new job. You know, the reality is that if you're out of job, and you're looking for a job, then the new employer's going to say, 'Well, why, you know, don't you have a job now? What's wrong with you?'
A writer's job is to cultivate what can go wrong. You're always looking for that dramatic arc of where things can fail.
Things will absolutely go wrong. In a healthy team, as soon as things go wrong, that information should be surfaced. Trying to hide or obscure bad news creates an environment of distrust or lack of transparency.
There is first the problem of acquiring content, which is learning. There is another problem of acquiring learning skills, which is not merely learning, but learning to learn, not velocity, but acceleration. Learning to learn is one of the great inventions of living things. It is tremendously important. It makes evolution, biological as well as social, go faster. And it involves the development of the individual.
Remember, it's more mentally tiring to think about what has to be done, and all the things that might go wrong, than it is to physically do the job.
I think that's a big part of how to stay together as long as possible: learning what to do when things go wrong. And it's particularly hard when you're recording, because the importance of everything you're doing is so magnified.
To do well does not mean everything will always turn out well. The key is to remember that faith and obedience are still the answers, even when things go wrong, perhaps especially when things go wrong.
People want the tragedy. They need things to go wrong, they need the tension. In my characters there’s a core of trust and love that I’m very committed to. These guys would die for each other, and it’s very beautiful. But at the same time, you can’t keep that safety. Things have to go wrong, bad things have to happen.
Life is sometimes hard. Things go wrong, in life and in love and in business and in friendship and in health and in all other ways that life can go wrong. And when things get tough, this is what you should do. Make good art.
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