A Quote by Andy Ruiz Jr.

A lot of fighters underestimate me. And what do you know? They end up being on the canvas. — © Andy Ruiz Jr.
A lot of fighters underestimate me. And what do you know? They end up being on the canvas.
To end up with a canvas that is no less beautiful than the empty canvas is to begin with.
I look up to fighters like Vitor Belfort, Anderson Silva, Chuck Liddell and Randy Couture. A lot of the fighters that fought into their older age and for me, as a warrior, I just love it.
I know a lot of guys say that when they are younger - 'I'm gonna get it, get my money, and get out' - and then end up wrestling until they're 50. But that could end up being me, too. I can tell you I want to get out early and end up eating my own words. All of a sudden, I'm 50, and I'm still walking out there.
Trust me, I've seen a lot of fighters come in hot and they disappear faster than they came in after a loss or two. This is the UFC and the best fighters in the world are here. If you fight the great fighters you're bound to lose.
Confident fighters are dangerous fighters. I know that. But there other fighters who said before a fight they were stronger than me, hit harder, were going to knock me out. Walters is a good champion but really how many quality fights has he been in compared to where I have been in my career? We both have speed, we both have power. It's an explosive fight. This is going to end in a knockout. I will go into the ring and do my best.
I think you know what you're up against when you take on a piece that you know is going to involve dragging up a lot emotions - you can end up being deeply immersed in gloom.
I usually know when something is going to end up being catastrophic but I don't really care. I find that the things that end up being earth shattering are the things that give me the most thrill.
Now, each of us has his own special gift And you know this was meant to be true. And if you don't underestimate me I won't underestimate you.
It's a product of being an actor, you know? A lot of your work doesn't end up on camera and some of the best things aren't always in the final product. But yeah, a lot of my stuff got cut and it was painful, but I know it was for the better of the movie.
Star Trek' ushered in the end of the Westerns. Then the canvas switched to the sci-fi canvas.
Fighters are my comrades. There are a lot of them with great personalities, they're great fighters, and they should be lifted up a little bit more. I just wish MMA would do that.
No one would want to pay a penny for an empty canvas by me. But it would be quite another if the empty canvas were signed by a great artist. I would be surprised if an empty canvas by Picasso or Matisse signed and inscribed with the words, 'I wanted to paint such and such on this canvas, but did not do so,' would not fetch thousands... After all, with an empty canvas, the possibilities are limitless, and so perhaps is the cash.
I fought tall fighters, short fighters, strong fighters, slow fighters, sluggers and boxers. It was either learn or get knocked off.
Just slap anything on when you see a blank canvas staring you in the face like some imbecile. You don't know how paralyzing that is, that stare of a blank canvas is, which says to the painter, ‘You can't do a thing’. The canvas has an idiotic stare and mesmerizes some painters so much that they turn into idiots themselves. Many painters are afraid in front of the blank canvas, but the blank canvas is afraid of the real, passionate painter who dares and who has broken the spell of `you can't' once and for all.
I always get into arguments with people who want to retain the old values in painting - the humanistic values that they always find on the canvas. If you pin them down, they always end up asserting that there is something there besides the paint on the canvas. My painting is based on the fact that only what can be seen there is there... What you see is what you see.
You don't get a lot of life milestones in show business. It's really difficult to make things, and a lot of times you don't know you're at the end of something. With Mr. Show, I was only a writer and we knew we were going into the movie, and we thought, "Okay, like Monty Python, we're going to make five movies." And we didn't know it was the end. So it ended up being a bummer and such a terrible ending for Mr. Show. We never got to feel like, "Wow, we did it! We did something."
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