A Quote by Andy Samberg

I've always felt that if something is polarizing, that's usually the stuff I like the most. If something is taking a chance and is willing to be weird, that's my favorite thing. I know there's somebody out there who hates it.
The thing that probably trips me up the most are people getting tattoos of stuff that I've designed in my books. That always spins me out in a weird way. It seems like such a permanent commitment to something I've done. I don't know that I could do that for anyone else.
The best stuff happens when you take a chance. When you risk something and do the thing that the other people are taking a chance on, on a network kind of level, they will be rewarded. You know, risk-reward.
I think it's a dying thing these days, taking a chance. People don't always do it because they have comfort. And, you know, there might be something else out there you can do that makes you happier than the situation you're in.
I think any actor can relate to the feeling of 'Just tag me in, coach, give me a chance.' Athletes go through the same thing. To be quite honest, most people in any job or career probably go though that, when you want a chance to prove what you can do, or somebody is taking away a chance at something you can do.
Most of the best writing, the most creative writing, the most interesting, the most out-of-the-box kind of stuff, is being done on cable, you know, and on the computer. I mean, whatever it is, Amazon or Netflix or something. Because they're just willing to take chances, you know, and there's a market for it.
It's weird because every movie that I do is always a role that reminds me of a role that 'Pac would have done. And when 'Pac did 'Juice,' he was young - probably like 21, 22 - something like that. And that's my favorite actor. I know it might be weird to say, but he was talented on screen, and that's who I studied.
I think, as the writer, you're always going to mourn something [left out of a film]. But you also just want to know there's a good reason for it being left out. On the whole, you want to give something to somebody creative. The worst thing you can do is say, "Here, be creative, but do it like I want you to do it." I was always very mindful of that.
The whole nostalgia thing, and just sticking with what you always liked and what you know and not taking a chance on something or expanding. I think especially after a certain age.
I like creating something from nothing and hearing it on the radio or on stage or from somebody driving down the street singing it. It's like building a house, taking a vacant piece of land, and next thing you know, there's a house with somebody living in it.
Looking at him like that, I felt like I needed something from him, or somebody, and that probably meant that he also needed something from me, or somebody, but the revelation was like looking at spots on a slide. Knowing that it meant something to somebody wasn't the same as it meaning something to you.
I felt really lucky in that I've gotten to know some of my favorite artists; I get to tell them how important they are to me. But that doesn't always make me want to work with people. I feel like if I'm going to work with somebody, it's because I feel like I actually have something to add to them.
Music should always be polarizing. What one person likes, somebody else hates. And I hate that kind of snobbery in pop music. The fact that so many people are getting upset over this one song is hysterical. And if people like it, that's great.
The Internet, you know, 10 or 15 years ago sort of felt like the wild West. You could go out there and do anything and search for things, and, you know, find out about stuff. Now always in the back of my mind, you know, whether it's email or whatever else, it's like, well, is this going to show up somewhere? Is someone going to keep track of this and, you know, know I was searching for - maybe it's an embarrassing disease, maybe it's a weird hobby?
My favorite nights out are the most random ones - when they start at a bowling alley and end up someplace you don't even know where. Those are my favorite - the most random ones that you don't plan, when you meet up with friends, and you're supposed to do something and end up doing something else.
I always leave that for other people to decide, because some of the things I consider to be disasters are some people's favorite movies. And that's what I like so much, is that you never know. Something intrigues somebody and means nothing to somebody else.
I always leave disaster for other people to decide, because some of the things I consider to be disasters are some people's favorite movies. And that's what I like so much, is that you never know. Something intrigues somebody and means nothing to somebody else.
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