A Quote by Andy Samberg
It's harder to do anything in the public eye now, in terms of if you're worried about scrutiny or being judged negatively. It's not as much of a free ride. If you're someone who's making film or TV or music, or any kind of art form now, there's a billion outlets, and they all have an opinion.
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If you're someone who's making film or TV or music, or any kind of art form now, there's a billion outlets and they all have an opinion.
Whichever kind of music I was making it was all about the melody anyway. The kind of music I'm making now is the way it is because I'm being 100% honest with myself.
I think digital is getting so much better. It's harder and harder to make the argument now for film. All things being equal, though, I still prefer to capture on film.
I'm not so arrogant to consider mine the only legitimate art form. I can't in one breath make a fuss about someone compartmentalizing music into genre and then in the next accuse advertising and short film of not being art.
Art is not politics. The glory of the novel is that in its essence, it is a democratic form, because it treats individuals as worthy of scrutiny. That alone is a kind of political act. A good novel about a tea party of rich women can be just as galvanizing and important to the soul as War and Peace, so I think it's not really the job of artists to do anything. They can have their opinions as private citizens, but they must continue making their art.
I think making electronic music isn't much different from writing a book or painting a picture or making a film. It's a creative process, and it's an art form.
Yeah I grew up in the public eye. I became a man in the public eye, which is kind of a bizarre thing to come to terms with. Now I'm in my late 20s and I was in my early 20s when I became recognizable. But I think 'Moneyball' represents a very strong shift in my career and becoming an adult and a man.
American public opinion, as you can see in the polls, radically changed from being against airstrikes to being heavily in favor that [President Obama] decided to do airstrikes. This is a classic example of leading from behind where he waits for public opinion. And now it's the public who's demanding he do something.
Stars now also have problems with drugs, and it can be even harder being so out in the public eye - it's hard for them to keep their sanity and normal self present, but they can do it.
Fame doesn't make it hard to date, because I could be seeing someone now and no-one would know. But if you go out with someone who's in the public eye you're asking for trouble. It's double intensity, double scrutiny. Even if I just went on one date with a normal guy, word gets around and that freaks me out. I don't like all that gossipy stuff.
In an old model, the way a film would imprint itself on the public's consciousness is to get a theatrical run. But now there are more documentaries and more films in general being released than ever before. There are weeks when the New York Times is reviewing 15 films, so it's harder to leave an impression on the public. A lot of these films are seeing their financial future on digital platforms. Because viewers aren't hearing as much about films in theatrical release, I think the festival circuit is going to have increasing importance for the life of a film.
Film used to have to be niche and find its audience in a little art house cinema, and TV had to work for everybody. And now it's kind of flipped where there's so many platforms that TV can be incredibly niche.
I think you have to embrace being a role model because you are in the public eye, and whether you like it or not, people are going to be affected by you positively or negatively, ... Public-wise, I really wouldnt do anything that would be detrimental to anybody else or to myself. And to a certain extent, I try to watch out and try not to do anything that would be bad for kids to see.
I didn't have anything to do with selecting IFC. I don't have anything to do with distribution, or business, or marketing, but think it's a good choice by Graham, and perfect for London Boulevard. It gets the picture straight into a dialog with the public, and it doesn't set the sights too high. They're very hip at IFC, and they get the film. The cineplex hasn't done film any favors as an art form.
TV has become long-form now. A season can be like a 13-hour film, separated into episodes, so you can analyse a character for five years and talk about the things that films used to talk about but don't any more.
Believe it or not, fame is not as glamorous as it seems. I think it is much harder now with all of the media outlets, and people can be pretty nasty and harsh.
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