A Quote by Andy Samberg

I'm a tearless clown. If I were to get a tattoo, it would be the two masks, and they would be both smiling. — © Andy Samberg
I'm a tearless clown. If I were to get a tattoo, it would be the two masks, and they would be both smiling.
I feel like if I were to get another tattoo, it would probably be those two words. Just stubborn, stubborn, stubborn gladness.
If I were travelling with two partners, one virtuous and one dishonest, both would be useful as teachers. I would perceive what's good of the first one and I would imitate him whereas I would try to correct in me the defects I may see in the second one.
Harvey wasn't interested in the clothes, it was the masks that mesmerized him. They were like snowflakes: no two alike. Some were made of wood and of plastic; some of straw and cloth and papier-mâché. Some were as bright as parrots, others as pale as parchment. Some were so grotesque he was certain they'd been carved by crazy people; others so perfect they looked like the death masks of angels. There were masks of clowns and foxes, masks like skulls decorated with real teeth, and one with carved flames instead of hair.
I never had any desire to get a tattoo. If I was ever going to get one, I would get a plain anchor with a rope around it, the most unimaginative possible tattoo, like Popeye had.
I have this huge lion tattoo embossed on my arm. I was a little worried as to how we would cover it up. But my makeup man covered the tattoo with makeup. It took close to two hours.
Well, I used to have a sister, but I never got to meet her because she died after two days, I think. So if I got a tattoo, it would probably have to be something to do with my sister. I actually want to get a tattoo when I'm older of something about her.
In a nuclear war, even if one side were to come out ahead by systems analytical standards, both sides would be so weakened, that it would - they would be in the position of Europe after the two World Wars.
I took a couple of classes in clowning, but that was more like Lucille Ball kind of slapstick, not Ringling Brothers. But we had to do things silently, and the teacher would do this running commentary. 'Does this make Clown sad? Oh, Clown doesn't like that, does Clown?' Always 'Clown.' Never a name.
Whenever the circus would come to town, I would tell Ethan all kinds of kinky clown domination stories involving the leather clown, like the time she forced me to have sex with her in the little car, or the time she kept spraying me with the seltzer bottle until I obeyed her every command. Ethan and I would laugh and laugh at these tall tales, but I could tell deep down, he was wondering whether the leather clown was really real or not. And I would let him wonder.
I've had tattoos since I was like 16, but if you would have asked the younger me to get a tattoo that symbolized my sexuality, I would have told you no, because that's how not okay I used to be with it.
I'd have avoided some of the pain if I could. Anyone would. But I wouldn't have missed knowing any of the people-even the ones whose leaving hurt most. In fact, the only thing I'm sorry about is that I didn't meet one particular guy, a clown named Joe Skelton. You know, he sure picked the right profession. I mean, a clown's got it all. He never has to hold back: He can do as he pleases. The mouth and the eyes are painted on. So if you wanta cry, you can go right ahead. The make up won't smear. You'll still be smiling. . . .
Someone asked me who I would be if I were a character in the 'Wizard of Oz.' I would be the curtain. I would be the one who saw both sides that nobody noticed, that was pretty and there to be used and discarded when they were done.
Arnold Palmer has what I call an 'Eisenhower smile'. Those two men, they'd smile and their whole faces would look so pleasant; it was like they were smiling all over.
I sometimes want to make a book of every tattoo I wanted to get before I actually got a tattoo, because there were so many awful ideas and concepts.
I wonder why people so commonly suppose that if two individuals are both writers they must therefore be hugely congenial," said Anne, rather scornfully. "Nobody would expect two blacksmiths to be violently attracted toward each other merely because they were both blacksmiths.
What we've said to the girls is: 'If you guys ever decide that you're going to get a tattoo, then mommy and me will get the exact same tattoo, in the same place.' And we'll go on YouTube and show it off as a family tattoo.
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