A Quote by Andy Serkis

And 'Sex & Drugs & Rock & Roll' was a very transitional film for me in that I was one of the producers and you know, came up with the idea with the writer and the producer, as well. But, it was a very collaborative event. You know, I really love working in that way.
And 'Sex Drugs Rock Roll' was a very transitional film for me in that I was one of the producers and you know, came up with the idea with the writer and the producer, as well. But, it was a very collaborative event. You know, I really love working in that way.
Sex, drugs, and rock and roll is all my brain and body need. Sex, drugs, and rock and roll is very good indeed.
I hope the guy who came up with the phrase 'sex, drugs and rock 'n' roll' rots in hell, I'd like to change it so it makes more sense: 'sex death and rock 'n' roll'
You start out playing rock 'n' roll so you can have sex and do drugs, but you end up doing drugs so you can still play rock 'n' roll and have sex.
I'm a very collaborative person, so that's not the way I work any way. Once VW got over the idea that I was going to blow their cars up, then we shot the thing really fast and it came out really good. Like I said, it won a bunch of awards and that really was the start of working in commercials.
[Polo Is My Life] is what's called a sex book - you know, sex, drugs and rock and roll. It's about the manager of a sex theater who's forced to leave and flee to the mountains. He falls in love and gets in even more trouble than he was in the sex theater in San Francisco. Most of my stories are tales of anguish, stress and grief.
Me and Kirby are very collaborative and it changes from film to film. The first project we worked on together, Derrida, we co-directed. The last film Outrage, I was the producer and he was the director. This film was much more of a collaboration - he is the director and I am the producer - but this is a film by both of us.
There's rock n' roll in hip-hop, there's rock n' roll in pop music, there's rock n' roll in soul, there's rock n' roll in country. When you see people dress, and their style has an edge to it, that rebellious edge that bubbles up in every genre, that's rock n' roll. Everybody still wants to be a rock star, you know?
I'm a person of the arts. I love the arts very, very, very much. And ah, I'm a musician, I'm a director, I'm a writer, I'm a composer, I'm a producer, and I love the medium. I love film very, very much. I think it's the most expressive of all of the art mediums.
The average film has eight or ten producers on it. That is just in a world that would be unthinkable to me, because to me, to really be a producer of a film, you have to be a line producer.
I love working with Prada, I would do it all the time if I could. Working with them is like working on a film: it is very collaborative.
I don't really remember a whole lot of sex, drugs and rock n' roll, really.
I finally, you know, moved to Mexico City, where the film industry is. I started working there as a producer, which is a very, very valid thing for women to do, because we always produce for men, right?
If I had my way, I would have sex, drugs, and rock 'n' roll at least 4-6 hours a day.
It's very easy to fool yourself that you're working, you know, when you're really not working very hard. I mean, I'm very lazy. So for me, I would always have an excuse, you know, to go - quit early, go to a museum, you know. So I do everything I can to make myself remember this is a job. I keep a schedule.
Sex, drugs, and rock 'n' roll... take out the drugs and you've got more time for the other two.
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