A Quote by Andy Serkis
You could go so wrong with a 'Planet of the Apes' reboot; you could make it melodramatic, you could make it campy, you could fall into so many traps with it.
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I could have told him that nothing was safe and that no matter how careful you were and how hard you tried, there were still accidents, hidden traps, and snares. You could get killed on an airplane or crossing the street. Your marriage could fall apart when you weren't looking; your husband could lose his job; our baby could get sick or die.
My husband was a serial adulterer, and there was nothing I could do about it: no questions I could ask him, no argument I could have with him, no explanation he could give me or pleas he could make for forgiveness.
You could go to New York City, you could go to LA, you could go to the highest class studios in the world, they'll have all the bells and whistles, but it's not going to make your record any better.
Having been a stunt girl for so long, a big part of my job was to not just make the other person look as cool as they could, but also to act as a support. My job was to make them as safe as they could be, so that they could be as explosive and as emotionally engaged as they could be.
Moments are precious, sometimes they linger and other times they're fleeing, and yet so much could be done in them; you could change a mind, you could save a life and you could even fall in love.
When we looked out at the world and saw what 3D scanners could do, we wanted to make something that could make really high quality models that you could create on your MakerBot.
We don't have real control over death. You could die of a heart attack, a building could fall on you, you could be in an accident, you could have a fatal disease. So, how should you conduct your life? You just go ahead and live, taking reasonable precautions - like handling the mail more carefully.
A work can do many things at once, and it doesn't have to be just about the world, it could also be about photography, it could be about perception, it could be an exploration of the medium. It could be a document, it could be a visual poetry, and it could be a formal exploration all at the same time.
The act of riding a bicycle isn't causing brain trauma. Yeah, you could fall, but that's if something goes wrong. Everything could go right in football, and it's still dangerous.
Any time you do something, you make decisions about time and space. I wanted those decisions to be out of my hands. I could be dragged, carried along by another person, I could be a receiver. I could be the agent of the overall scheme, but I didn't want to be the agent of the particular action. I could make the ultimate decision that my space is going to change now, but I don't know where it's going to go.
Meyer lemons are a splurge, but they're so wonderful. You could make a Meyer lemon curd or a jam. You could make a salad with slices of Meyer lemon. You could make a Meyer lemon tart and top the tart with candied slices of the lemons. You could use the lemons in a salsa to go over grilled fish or in a ceviche.
The Greek tragedies and comedies are like a roadmap to all the ways in which trying to live this rich, full life can go wrong. You could get into a war. You could find that you have members of your family on the wrong side of a political crisis. You could be raped. You could find that your child has gone crazy because of some horrible experience she's had.
There's so many ways to be a voice and that's what I'm figuring out. Being an artist, being an actor, it's about telling stories that could heal, that could open up discussion that could make the community better. There are many (Latino) stories that need to be told and haven't been told right. If I could help be that voice then that's what I'm going to do, because this is a reality for me.
I don't play basketball for the money. I don't play it for the crowd. When I didn't have a friend, when I was lonely, I always knew I could grab that orange pill and go hoop. I could go and dunk on somebody. If things weren't going right, I could make a basket and feel better.
I wanted to explore the possibility that this could have become 'Planet of the Humans and the Apes' instead of just 'Planet of the Apes,' so I wanted there to be this hope of connection as well as this inexorable pull towards what we know the series becomes.
So many things could go wrong, on any film. I've been out in L.A. for eight years and I've been acting professionally for a long time, and you realize that you have to prepare and work hard, but you never know what could go wrong.
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