A Quote by Andy Serkis

There's a huge gulf between people who can afford to go to drama school and those who can't. — © Andy Serkis
There's a huge gulf between people who can afford to go to drama school and those who can't.
Drama schools say if arts funding is cut, people can't afford to go, but I didn't go to drama school.
I made a very concerted decision to go to drama school in the United States. But I did have the opportunity to go to Britain's Central School of Speech and Drama, and my dad and I had a few tense words about that. He wanted me to go to British drama school.
I couldn't afford to go to drama school in London. Then I met with the Royal Scottish Academy of Music and Drama in Glasgow, and I fell in love with the city. It was one of the few schools that offered me a place. It didn't do me any harm.
My school didn't have a drama department. I was one of the lucky four children who got to travel twice a week to another school because our school could only afford one taxi.
I felt quite confident - when you come out of drama school you feel like you're on top of everything. I always tell people to go to drama school even if they've already done movies or whatever because the way you encounter content is so different.
My fear of drama school is that the natural extraordinary but eccentric talent sometimes can't find its place in a drama school. And often that's the greatest talent. And it very much depends on the drama school and how it's run and the teachers. It's a different thing here in America as well because so many of your great actors go to class, which is sort of we don't do in England.
My parents couldn't afford a full time drama school, but I basically just did every class I could do, and followed every drama interest I could. When I was 15 or 16 I did drama courses.
I went to NYU drama school, so I was a very serious actress. I used to do monologues with a Southern accent, and I was really into drama and drama school. And then, in my last year of drama school, I did a comedy show, and the show became a big hit on campus.
I stayed a year in the sixth form and there was talk of Cambridge, but I wanted to go to drama school. At 17 and three months I went to the Old Vic School in London. This most remarkable and brilliant drama school lasted only six years because the Old Vic Theatre hadn't the money to go on funding it.
My next step must be to go to drama school. Well, I get into drama school, so I did that.
I'd always wanted to go to drama school. My life plan was to get into drama school and become an actor, but it took me three years.
I've been exploring gender performativity in the Gulf since I was a teenager. I'm not a gender anthropologist, but I feel like there's an extreme binary between femininity and masculinity in the Gulf. From a young age, I knew I didn't want to be part of it. Gender is a huge gray area, and the problem with defined roles is that they cover up undefined ones.
I found myself at Cambridge, loved my course, and met these amazing people who got me heavily involved. I presumed I would have to go to drama school, but I did a play with my uni friends, who were doing lots of pub theatre in London, and through that met my agent. She said 'Don't go to drama school. I'll get you a job' and two weeks later she did.
America has spent as of one month ago $6 trillion in the Middle East. And in our country we can't afford to build a school in Brooklyn or we can't afford to build a school in Los Angeles. And we can't afford to fix up our inner cities. We can't afford to do anything.
I realized that the actors that I liked and admired all went to drama school and got an agent that way. So I started when I was about 16 in drama school, and then I knew I had to wait until I was 18 so I could go on auditions, and I tried to get into one of the ones that I liked and then go from there.
Those years between drama school and getting onto the stand-up circuit were pretty lean.
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