A Quote by Andy Serkis
When I first was offered the role on Rise [of the Planet of the Apes], I always played Caesar as a human being within ape skin.
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Caesar [from the Rise of the Planet of the Apes] was brought up with human beings and because of the drug he had pretty much grown up with his whole life, he felt like an outsider, he felt trapped in an ape's body but he didn't really feel like an ape and that was my way into the character. So he's always had this duality playing him from an infant all the way to now as a fifty-five year old ape.
What I thought was so great about Rise [of the Planet of the Apes ] was that it wasn't a retelling; it was an entering of the universe at a different point. So it's Planet of the Apes. We already know the ending. There's no mystery in that! It becomes Planet of the Apes. So it's not about what is at the end; it's about how did we get there? And that enabled something that was totally fresh, which was an ape-point-of-view movie.
If 'Star Wars' wasn't enough to prepare me for a dark future, there was the 'Planet of the Apes' franchise, conveniently repeated for me in Los Angeles on KABC's Channel Seven 3:30 movie. Apes enslaving humans! Mutants with boils and an atom bomb! Ape riots in Century City! They killed baby Caesar's parents!
Rather than something like King Kong where I really went after studying gorillas in the wild and captivity. I based Caesar [ from the Rise of the Planet of the Apes] on a real chimpanzee and I worked with Terry [Notary] on a lot of chimpanzee movement.
ZANY, n. A popular character in old Italian plays, who imitated with ludicrous incompetence the _buffone_, or clown, and was therefore the ape of an ape; for the clown himself imitated the serious characters of the play. The zany was progenitor to the specialist in humor, as we to-day have the unhappiness to know him. In the zany we see an example of creation; in the humorist, of transmission. Another excellent specimen of the modern zany is the curate, who apes the rector, who apes the bishop, who apes the archbishop, who apes the devil.
There is always that potential in the same way - Roddy McDowall ended up playing Cornelius to Caesar [in the Planet of the Apes]. Two different characters. That's the joy of the craft. Bring it on I say.
Once you were apes, yet even now man is more of an ape than any of the apes.
I actually liked Rise of the Planet of the Apes. I remember just watching it and being pleasantly surprised with that movie. I didn't think it would be as good as it was, so I love that movie.
There should be an expanded role in this society for every human being. I see an expanded role for the human spirit, for excellence, for virtue, and for creativity - within women, and within everyone.
I thought this was the most incredible opportunity. Because 'Planet Of The Apes,' aside from the fantasy element of talking apes, is such an amazing franchise, because under the surface of that genre, you're actually looking at human nature.
Certainly the first true humans were unique by virtue of their large brains. It was because the human brain is so large when compared with that of a chimpanzee that paleontologists for years hunted for a half-ape, half-human skeleton that would provide a fossil link between the human and the ape.
One of the best movies of the year was 'Rise of the Planet of the Apes.' That's not just an action movie - it's a prison film.
I wanted to explore the possibility that this could have become 'Planet of the Humans and the Apes' instead of just 'Planet of the Apes,' so I wanted there to be this hope of connection as well as this inexorable pull towards what we know the series becomes.
Even as the nineteenth century had to come to grips with the notion of human descent from apes, we must now come to terms with the fact that those apes were stoned apes.
I am one of those people who is not very patient in the makeup chair. I have been offered movies like 'Planet of the Apes' and stuff like 'The Grinch Who Stole Christmas' and I turned them down.
Man is more ape than many of the apes.
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