A Quote by Andy Serkis

I have a great interest in Victorian musical & cabaret performances and Weimar artists so the references are there, to Cabaret and also All That Jazz and other films where, where there's a kind of (influential German playwright Bertolt) Brecht-ian approach, almost to the character standing outside of himself or, in this case, he's "self-séance-ing."
Life is a cabaret, old chum! Come to the Cabaret.
I've always been a cabaret-vaudeville artist - an hourlong cabaret and a floor show in a hotel - somebody like that. That's my main forte.
I think that's the graveyard of musicians, playing cabaret. I think I'd rather be dead than work in cabaret. It's just so depressing.
What good is sitting alone in your room? Come hear the music play; Life is a cabaret, old chum, Come to the cabaret.
I played piano for cabaret stars and stuff and then eventually moved from my hometown of Perth in Western Australia to Melbourne, and somewhere in there, I decided to book myself a room and do a cabaret show of my own material.
[David] Bowie went on to make best-selling music - funk, dance music, electronic music, while also being influenced by cabaret and jazz.
A cabaret song has got to be written - for the middle voice, ideally - because you've got to hear the wit of the words. And a cabaret song gives the singer room to act, more even than an opera singer.
'Cabaret' was one of the first pieces of musical theater I saw that showed the possibilities of what musical theater can do.
As for music, my tastes are eclectic. Elvis Costello is my all-time favorite. I listen to a lot of jazz, primarily the great female vocalists, and I am very fond of the late cabaret singer Nancy Lamott.
I've never done a musical, and I don't think I could do one, but I would love to play Sally Bowles in 'Cabaret.'
To me I grew up watching 'All That Jazz' and 'Cabaret,' and when I was younger 'Mary Poppins',' The Sound Of Music,' and 'Singin' In The Rain.'
Don't know about a cabaret act right now, would actually prefer a role in a broadway musical.
Getting to do 'December Songs' in a cabaret-style format was so interesting because it's like a one-woman song cycle that actually tells a story. It feels like a theatrical experience more than a cabaret because I didn't talk in between. We went from one song to the next, nine songs in a row - bam - I told the story in half an hour.
That was something we were trying to figure out: Are we allowed to do a jazz song? Are we allowed to do cabaret? Just from hearing the Beatles, it was like, 'Well, they did it. It's okay to write something other than a standard rock song.'
Cabaret is a great format. All you have to do is sing and be funny sporadically.
Period films to me are very often alienating to the audience. There's very often a formality. A staunchy quality to them that comes from the misenscene. It also comes from the performances of the actors, because they're acting Victorian which really means that they're just acting the way they've seen previous actors act Victorian.
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