A Quote by Andy Serkis
You don't go - oh this is a motion capture role, I'm going to employ this method of acting. We don't have anything to hide behind when we're doing this.
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Motion-capture is not a genre. Motion-capture is a tool and technique and what we tried to do was to really use both motion-capture and traditional animation to build a system.
When I first did 'The Lord of the Rings,' I was acting on the set with the other actors, but then I had to go back and repeat the process on my own to do the physical capture on a motion capture stage.
Motion capture is exactly what it says: it's physical moves, whereas performance capture is the entire performance - including your facial performance. If you're doing, say, martial arts for a video game, that is motion capture. This is basically another way of recording an actor's performance: audio, facial and physical.
When you're acting, you do have to prepare yourself for doing that. You have to leave behind - or you try and leave behind - anything that's going on in your personal life.
I hate the word "method acting." It's just so silly. You hear people going, "Yeah I'm a method actor." I'm like, "So what happens if you're playing a period film or something? You're in the Second World War. And what happens when your mom calls you on your phone? Do you go, 'Oh! What is this strange talking brick device?'" No. It's stupid. But you do everything you can to get in that mindset.
Most American actors are taught the Stanislavsky method... Method acting, but I really think that as an actor you have to develop what works for you. There is really not one way of doing anything. There are many ways of achieving the same goal.
No one is really a method actor, everyone has their way of going about it, preparing for it, but method is preparation, it's what you do to prepare. So my method is to read the script. Some actors' method is to read the script a hundred times and in the doing of it, to immerse themselves in as much of the reality as possible. Me, I believe strictly in acting. If I am out of breath, I'm out of breath. I ain't running nowhere.
The technical aspects of doing motion capture and actually, you know, capturing the motion, is very different. It's an interesting learning curve to be part of because you have so much gear on you.
If I were in a situation where I had to meet a pack of wolves and my family is with me, I'm going to be scared, but I'm not going to hide behind my son to protect me. They're going to hide behind me.
I'm not going to hide behind anything.
Any acting is a stretch of the imagination. That's your job. Acting is truth in imaginary circumstances. Acting with green screen or a motion capture stage, you're striving for absolute truth in absolutely imaginary circumstances.
In 'Uncharted,' we do the scenes the same way you would do a film or television show. The motion capture - the performance-capture process - is what makes such a difference for this franchise. So I don't approach it any differently. The other actors and I go in and rehearse scenes together, and then we go in the next day and perform.
I try to think of acting in terms of thinking and doing. People think of it as, "Oh, let's get inside this guy." They think that acting is being, or feeling, or emoting. It's as much doing. One of the first things you do as an acting student is ask, "Can you say words and do a task at the same time, like sweep a floor?" You get to watch the human condition, and there's always a "doing" aspect of it. This couple, they're carrying backpacks, where are they going? Students? Or are they carrying instruments? It stimulates the imagination. So acting is doing ... and I forget how we got off on that.
I don't have one role that I'm particularly fond of doing, and I don't really look for it to differ all the time, but I will try anything and do anything. If it's a role I connect with, I'll go for it, no matter what's involved.
My belief about performance capture is that it's a technology which allows actors to play extraordinary characters. But from an acting perspective, I've never drawn a distinction between playing a conventional, live action character and playing a role in a performance capture suit. And from a purely acting point-of-view, I don't believe there should be a special Oscar category because I think it sort of muddies the waters in a way.
In a crisis, don't hide behind anything or anybody. They're going to find you anyway.
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