A Quote by Andy Stanley
If we were able to rewrite the script for the reputation of Christianity, I think we would put the emphasis on developing relationships with non-believers, serving them, loving them, and making them feel accepted, only then would we earn the right to share the gospel.
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I would say, being a parent is what makes me vulnerable. Loving someone so much it scares you. Knowing you'd do anything for them and then realizing there will come a time when you have to loosen the reins and let them figure it out on their own, and then trusting that you/they are making the right decisions.
I tend to write things seven times before I show them to my editor. I write them seven times, then I take them on tour, read them like a dozen times on tour, then go back to the room and rewrite, read and rewrite... I would never show him a first draft, because then he's really going to be sick of it by the twelfth draft.
To me, the screenplay only becomes the Bible of the film after the actors have been cast. You go over the initial script with them and listen to the way they talk. Then you try to do a rewrite to accommodate them.
Most men would feel insulted if it were proposed to employ them in throwing stones over a wall, and then in throwing them back, merely that they might earn their wages. But many are no more worthily employed now.
That your enemies have been created is God's doing; that they hate you and wish to ruin you is their own doing. What should you say about them in your mind? "Lord be merciful to them, forgive them their sins, put the fear of God in them, change them!" You are loving in them not what they are, but what you would have them to become.
If I had my way, I would declare a moratorium on public preaching of 'the plan of salvation' in America for one to two years. Then I would call on everyone who has use of the airways and the pulpits to preach the holiness of God, therighteousness of God and the law of God, until sinners would cry out, 'What must we do to be saved?' Then I would take them off in a corner and whisper the gospel to them. Such drastic action is needed because we have gospel-hardened a generation of sinners by telling them how to be saved before they have any understanding why they need to be saved.
I feel like if I were to play the game completely and just get myself in a giant bottle of nail polish and put myself on display, I would feel like I had somehow cosmically lost. I feel like I'm taking a bunch of the ingredients and using some of them but not all of them and shuffling around and making people think I'm doing my job.
But, I think it's great to be able to work with established directors, and then also first-timers. I feel like you learn from both of them, but then you can go and share your knowledge with each of them. That's really fantastic!
It was not Christianity which freed the slave: Christianity accepted slavery; Christian ministers defended it; Christian merchants trafficked in human flesh and blood, and drew their profits from the unspeakable horrors of the middle passage. Christian slaveholders treated their slaves as they did the cattle in their fields: they worked them, scourged them, mated them , parted them, and sold them at will. Abolition came with the decline in religious belief, and largely through the efforts of those who were denounced as heretics.
My belief is that we were put into this world of wonders and beauty with a special ability to appreciate them, in some cases to have the fun of taking a hand in developing them, and also in being able to help other people instead of overreaching them and, through it all, to enjoy life - that is, to be happy.
We love and care for oodles of people, but only a few of them, if they died, would make us believe we could not continue to live. Imagine if there were a boat upon which you could put only four people, and everyone else known and beloved to you would then cease to exist. Who would you put on that boat? It would be painful, but how quickly you would decide: You and you and you and you, get in. The rest of you, goodbye.
I could learn photography. That could be something to want. I could photograph children. I could have my own children. I would give them yellow roses. And if they got too loud, I would just put them some place quiet. Put them in the oven. And I would kiss them every day, and tell them you don't have to be anybody, because I would know that being somebody doesn't make you anybody anyway.
When I faced the likes of Shoaib Akhtar and Brett Lee for the first time, I had a little bit of fear in my mind. My thoughts were, 'Would I be able to face them? Would I be able to play them? Would I be able to hit boundaries?' There were so many questions and fear, also, that if the ball didn't hit my bat, it might hit me on the body.
I think that's always been part of the thinking behind the script, that - and I really tried really hard to impress that upon the staff of the show, the animation staff - to try to get them to understand that we would only be able to get away with what we were writing if the visuals were appealing enough that it was like a balance, and even people who didn't like what they were hearing would still not want to turn away because what they were seeing was so nice. So that was kind of my hunch, and I think it worked.
Human relationships are strange. I mean, you are with one person a while, eating and sleeping and living with them, loving them, talking to them, going places together, and then it stops.
Great stories happen all around you every day. At the time they’re happening, you don’t think of them as stories. You probably don’t think about them at all. You experience them. You enjoy them. You learn from them. You’re inspired by them. They only become stories if someone is wise enough to share them. That’s when a story is born.
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