A Quote by Andy Summers

It's been very hard for the guitar as a serious synthesizer to compete with keyboards. — © Andy Summers
It's been very hard for the guitar as a serious synthesizer to compete with keyboards.
If the guitar synthesizer is really going to stand as a synthesizer on its own, it needs to develop a more characteristic sound; I don' think it's gotten there yet.
I've always been fascinated with sound, since I was a little kid when my mother Dorothy Dean took me to my first piano lesson. Later on, my guitar, bass guitar, and synthesizer were my secret weapons.
My setup for a live performance lately has been just guitar and synthesizer. Sometimes I only bring one. The guitar is in pretty bad shape and isn't sounding the same. Most of the time my live approach has been pretty different from recording.
The most obvious thing you can't do with a guitar synthesizer is to really sound like a guitar.
Music has always been in my family, but it was mainly keyboards. I learned to play classical piano, but when I first heard the amazing bass guitar of James Jamerson, who played on all the big Motown hits of the '60s and '70s, I knew bass guitar was my instrument.
We weren't listening to guitar bands, we were thoroughly ashamed of being a guitar band. So we bought loads of keyboards and learned how to use them, and when we got bored we went back to guitars.
I tend not to write on guitar very often. I tend to start off with keyboards.
There is far more sensitivity in acoustic guitar players than could ever be compared to any synthesizer. That's a personal point of view but that's the way I see it. I think that's what it's all about. The drive, the fire, the passion - it all comes out on the guitar.
I played a guitar with a file, and a synthesizer.
For me, the guitar synthesizer is a great writing instrument.
I have been playing a lot of keyboards, especially in the last five or six years. I suppose it gives you more scope than the guitar, although it does tend to make you write a different way.
I started on drums when I was 13 and played them for two years. Then I went to guitar for a year, played keyboards for a year and a half, and went back to guitar.
There's a lot of Google fascination out there and we share it, and we're going to compete, we're going to compete very, very hard.
For me, the most difficult thing is that I am learning melodies on guitar from some songs whose melodies were not meant to be played on guitar. Ever. They were intended mostly for keyboards or melodic percussion.
The use of electronics is a natural extension of the instrument - it is an electric guitar. So we guitarists have been plugging into something since 1931, and we are not about to stop now. Current advances in technology means we can have a huge array of sounds at our fingertips, and this offers amazing possibilities to the contemporary composer. It is always a guitar (I don't play synthesizer) but it becomes something else all together - more like sculpting sound in real time using metal wires, 5 fingers and a pick.
For me it always comes down to what is a good song and I'm very old fashioned in the way that I like to make songs that have something classic about them whether you can play them with an orchestra or an electro synthesizer or an acoustic guitar.
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