A Quote by Andy Summers
I'm better for it and I prefer to keep things simple and see what sounds I can get out of my head and hands rather than relying on a sound that someone else created.
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Im better for it and I prefer to keep things simple and see what sounds I can get out of my head and hands rather than relying on a sound that someone else created.
I would prefer that, rather than sitting down and giving someone advice, I would way rather write a song about what I was going through. I think that's a pure, organic process of learning from someone else's mistakes.
I definitely prefer things to be dark, I definitely prefer things to not be particularly obvious. I like a lot of mystery in music, and I like it when things don't sound just like what they sound like always. But at the same time I like everything to sound very earnest and honest. So I don't really think that I have a definite stamp, but if people see that, that's awesome.
I personally do not listen to a lot of music. It helps keep my mind free. I don't want to sound like someone else from the get-go. I want to express myself and the world in my head.
I think it was inevitable that I get into synthesizer music. I always wanted to deal with sound more than anything else. I couldn't get the sounds I wanted out of the piano.
Meanwhile someone is shining my head to get it dry to attach my top-hat to my head with toupee tape. I get into microphone and get back up into my dressing room for the rest of my costume. I get snapped into all these things and layers and bundled up. I walk downstairs to the pit. Someone hands me my baton (which lights up like a wand) and I watch the first three minutes of the show. Then I come up out of the pit and there I am.
Some actors are better with words than me. I prefer to play it rather than say it - and keep people thinking.
I felt like I had kind of played it out, and I wanted to see what was next, and then came Mythbusters. You know, it's the best job I've ever had, on its worst day it's better than anything else, but it's a huge amount of responsibility, and there are days when just going into work and building something from someone else's drawing sounds like going back to heaven.
Well, things hold up even if they sound dated. It can be very difficult to listen to 80s pop songs with really, really gigantic smashed drum sounds. You just want to turn that gated reverb down on the snare. It sounds wrong now. It sounds amateurish. And ugly. But at the time it sounded state-of-the-art. So yeah, I think it's important not to sound state-of-the-art in a way that anybody else is going to sound. Or you'll quickly sound like yesterday's state-of-the-art.
I know what the important things are in life. I know that just because I pretend to be someone else for two hours on the silver screen doesn't make me a better person than the next man. So, I mind all those things. Simple things.
To have nice interactions with people is a better than to make anyone uncomfortable, than to try to fill up some kind of lull. Like anybody else, there's times when maybe I don't feel like talking with other people. You don't have to be in show business to not feel like making small talk sometimes. But we kind of are all in this together. It makes things easier - it just makes life easier, if we're all nice to each other. I'm sure that sounds terribly corny, but honestly, it's one of those simple things that it's so simple, it's true, and it's so true that it's simple.
I'd rather do new stuff. The old stuff is better to talk about than to see. It always sounds better than it really is.
It means basically I'm using the synthesizer more to change the sounds of other things rather than to use it as the source of the sound.
The best way to experience power (or anything) is to give it away. Make someone else powerful and you become twice as powerful as you were before. Make someone else loved and you become twice as loved. Make someone else feel good and you feel twice as good. It doesn't get any better than this. And it's all so...simple.
Many of the women who I've taught to climb have a better sense of balance than the men. I think it has to do with being a little more sensitive to it rather than relying on strenght. It's also a reflection of a passive attitude - balancing your way up the rock, rather than attacking it.
It's intimidating any time to have a piece of art that someone else created, and that person says, 'Let's see what you created based on what I created.'
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