A Quote by Andy Taylor

I discovered that it was a lonely world being a solo artist. Then I started working with another solo artist, Rod Stewart, and he used to tell me how lonely he was! — © Andy Taylor
I discovered that it was a lonely world being a solo artist. Then I started working with another solo artist, Rod Stewart, and he used to tell me how lonely he was!
Being a solo artist in general can be incredibly lonely. It's funny how often the bigger you get sometimes, the lonelier you feel.
The biggest challenge was the whole learning curve of being solo artist. I've been in bands for so long that being a solo artist was completely new thing.
I can be a little messy and wild and carefree with my creativity as a solo artist. In a group, there's a certain structure, and everyone has a part to play, and being a solo artist, I can do as I please.
Everything that Eddie has said about me is the total opposite of what really happened. Eddie says I wanted to be a solo artist. No, Eddie wanted to be a solo artist.
I hate the solo artist aspect of rock-'n'-roll. I don't have enough personality or charisma to be a solo star.
Working as a solo artist has given me a confidence that I didn't have with Blondie.
The greatest compliment I ever got was when people called me an artist, and I understand that solo aspect of being an artist, when you're in there by yourself, trying to do something great, and people who don't even know you can come up and just dump on you.
I wish I started out as a solo artist.
It was the most beautiful thing I'd ever seen. How the artist captured the light, the details of my mother's dimples, the joy in my father's eyes, all through gentle strokes from his palette. The artist made me look alive when I felt lonely and grim inside. That's the way this man saw me. I decided then that that's what I wanted to do
Being a solo artist is what I do. It's what I've been doing for the last 20 years and a bit before then.
I always saw myself as a singer-songwriter, a solo-artist, that's why working with other artists was never satisfying for me.
You don't know that you're not a solo artist or standup comedian or drag cabaret artist until you try it.
I'm a solo skater; the sport can be lonely.
I really wasn't planning on being a solo artist.
On 'Metallica,' I recorded six or seven different guitar solos for almost every song, took the best aspects of each solo, mapped out a master solo and made a composite. Then I learned how to play the composite solo, tightened it up and replayed it for the final version.
I think the solo playing, the decision to start playing solo, came out of having discovered what lay behind the doors that that technique opened for me.
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