A Quote by Andy Warhol

I always like to see if the art across the street is better than mine. — © Andy Warhol
I always like to see if the art across the street is better than mine.
The Internet doesn't always play a great role for art, especially art in the street, as people take what they see for the final image of it. But the most interesting thing about street art is to see it for real, to understand what it means and where it's displayed.
Fame is like getting across the street. It's like, if there's nothing to be across the street for, it's a pointless destination. It's like, "I gotta get across the street, man! I gotta be there! I gotta be there!" Then you get across the street and you're like, "Yeah I'm here!" And then, that's it. Fame doesn't make you particularly happy.
I don't have a favorite place to see art. I like to encounter it anywhere, museum, gallery, home, studio, street... I do prefer to see good art, when I see art, but it doesn't matter where I see it.
Do you know when you cross against traffic? You look down the street and see a car coming, but you know you can get across before it gets to you. So even though there’s a DON’T WALK sign, you cross anyway. And there’s always a split second when you turn and see that car coming, and you know that if you don’t continue moving, it will all be over. That’s how I feel a lot of the time. I know I’ll make it across. I always make it across. But the car is always there, and I always stop to watch it coming.
I have always been a Peter Blake fan and love street art and graffiti. I really like this street-art collective called Faile. They're from Brooklyn and make these prints of beautiful women.
I am for an art that tells you the time of day, or where such and such a street is. I am for an art that helps old ladies across the street.
Street art belongs on the street. But I'm a working street artist and I earn my money selling art in the style of street art via galleries.
Fame is like getting across the street. It's like, if there's nothing to be across the street for, it's a pointless destination.
The entire 'my art is better than your art' thing really gets under my skin. The fact of the matter is: Your art IS better than my art... at being what it is. So what? It just so happens that my art is better than your art, at being what it is.
I like to see things. I see a lot more art than I'd like to see. We have to be polite and see the art shows of people we know. We see a lot of art.
When you walk down the street and see something in a crazy spot, there's something powerful about that. The street will always be an important part of getting art out there for me.
Every time I see a child walking down the street I like to trip them. While they look for their missing teeth, I personally remind them that no matter how hard they try I will always be better than them.
When I get out across the country and listen to people, the resentment that I see and the frustration that I see is that we have a generation of people who are fairly convinced that their kids are not going to have a better quality of life or a better future than they will.
I think young generation is always better than last generation. No matter you like it or don't like it. My father said, 'Jack, I'm so good, you'll never be' - but I'm better than him. My father is better than my grandfather. My children will be better than us.
When it comes to the street-art world, there are a lot of people who realize if they go out and put up a few pieces of street art and photograph them really well, even if their locations weren't actually that high-profile or dangerous, with the level of exposure they get from the Internet, with a large audience, they can maintain that rebel cache by having it be theoretically documented street art.
I'm an indoors person. I'm not afraid of the outdoors and I penetrate it easily and cheerfully. However, I must admit I like Central Park better than the wilderness, and I like the canyons of Manhattan better than Central Park, and I like the interior of my apartment better than the canyons of Manhattan, and I like my two rooms better with the shades down at all times than with the shades up. I'm not an agoraphobe at all, but I am a claustrophile, if you see the distinction.
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