A Quote by Andy Warhol

When I got my first television set, I stopped caring so much about having close relationships. — © Andy Warhol
When I got my first television set, I stopped caring so much about having close relationships.
When I got my first TV set, I stopped caring so much about having close relationships with other people.
I'm not interested in playing the field and all that stuff because frankly I'm not into frivolous relationships. I've got a couple close relationships with friends, a close relationship with my family, and a close relationship with my guitar. I'll know if the right person comes along, and whatever then - cool - but it's not something I'm seeking out at the moment.
I stopped caring so much about what people might think if I sung about love and humanity.
I've been a Republican since age 13, when we got our first television set, and I saw the Republican National Convention on television. And President Eisenhower was talking about personal responsibility, about opening the door for opportunity and that people could really take care of themselves without a lot of government intrusions.
There are significant relationships, of course, between wanting things and caring about them..The notion of caring is in large part constructed out of the notion of desire. Caring about something may be, in the end, nothing more than a certain complex mode of wanting it. However, simply attributing desire to a person does not in itself convey that the person cares about the object he desires.
My earliest memory of freedom was when I was about 14 and I stopped caring what people thought about me! I was so free and in charge! That whole year I was exploring myself, and I was so 'free' that I got sent away to boarding school.
The war in Afghanistan, the first war of the twenty-first century, shows the United States doing what it wants to do, not caring about who it antagonizes, not caring about the effects on neighboring regions.
Having to think so much about fictitious relationships that work or don't work, and with each relationship between characters managing to do one or other of those in its own peculiar way, I spend a lot of time thinking about relationships, real and imagined.
I am much more settled in who I am. I think a lot of your 20s is trying to figure out who you are - you're on your own, you've got you first job, you've got your first apartment, you're living away from your parents, you're just discovering who you are. I have deep, long friendships now and real relationships and I am so excited about the rest of my 40s.
I think caring too much about the economics starts affecting the creative aspect of the film. That is a dangerous process for a filmmaker. He should make his film without having to worry about how much it has cost or how much it will be sold for.
When I first became recognizable from appearing on television, I abused my notoriety as much as I possibly could, at the expense of both my health and personal relationships.
Happiness is having a large, loving, caring, close-knit family in another city.
I had to lie so much about sex, first when I was 15, because I wasn't supposed to be having it. And then when I got older, I lied to everybody I was having sex with, so I could have sex with other people.
Love alone is not enough. Without imagination, love stales into sentiment, duty, boredom. Relationships fail not because we have stopped loving but because we first stopped imagining.
I'll never stop caring. But the thing about caring is, it's inconvenient. Sometimes you've got to give when it makes no sense to at all. Sometimes you've got to give until it hurts.
I just wanted to do it all. Film and television was so strange to me because I didn't grow up in the business, I didn't know anything about it, and I had never been on set before. But, from the minute I got on set and did 'Old School,' I was like, 'I want to do this!'
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