A Quote by Andy Warhol
If you want to know all about Andy Warhol, just look at the surface of my paintings and films and me, and there I am. There's nothing behind it.
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Andy Warhol: I think everybody should like everybody.
Gene Swenson: Is that what Pop Art is all about?
Andy Warhol: Yes, it's liking things.
I believe that Ryan Murphy is a genius. His instincts remind me of Andy Warhol. I recently went to the Warhol museum in Pittsburgh, and you can see a lot of echoes of Andy in Ryan’s work. Like Andy, Ryan’s finger is so on the pulse of culture that he’s ahead of culture. Their aesthetic and their vision of the world are very similar.
I believe that Ryan Murphy is a genius. His instincts remind me of Andy Warhol. I recently went to the Warhol museum in Pittsburgh, and you can see a lot of echoes of Andy in Ryan's work. Like Andy, Ryan's finger is so on the pulse of culture that he's ahead of culture. Their aesthetic and their vision of the world are very similar.
Cecil Beaton was Andy Warhol before Andy Warhol, really.
I found that gloss paint suited me entirely, and its qualities still intrigue me. It's viscous and fluid and feels like a pool. It's highly reflective, which means there are layers of looking. You look at the picture, and you look at the surface, then you look at the reflection in the surface behind you, then you look at yourself.
When I was sixteen and knew nothing about art, I sat through almost six hours of Andy Warhol’s Empire. I did not understand it but thought: this is in a major museum, it must be important, what is going on here? I stayed until the museum closed. His Screen Test films are some of my favorite works made this century, but you need to give them back the time they took to be made.
Andy Kindler. Andy's set - somehow he slayed that night. But something weird about it that wasn't translating for the CD. I don't know what it was. But we listened to it and it wasn't the greatest audio recording - I mean, the quality of it was good. But we didn't want to put it on the record because it doesn't represent what Andy does.
One thing about Andy Warhol that was remarkable and also key to his widespread appeal is that he was so open! He would get on the phone and talk to the kid who called to say he was a fan - you know, Andy would walk from his house every morning down to the Factory carrying a bunch of Interviews - people would stop him and he would sign them, and what have you.
Take an exhibit, in the days when we saw the Pop art - Andy Warhol and all that - tomato soup cans, etc., and coming home, you saw everything like A. Warhol.
The 60s will be remembered for The Beatles, Andy Warhol and Me!
Sometimes the presence of a camera is like opening a door, because many people want what Andy Warhol called "15 minutes of fame." But prostitutes don't want that.
When I studied with Nicholas Ray he was always telling us, "If you want to make films, watch a lot of films, but don't just watch films, go take a walk, look at the sky, read a book about meteorology, look at the design of people's shoes. Because all of them are part of filmmaking." So I thought, perfect! That's a good job for me.
You know what Andy Warhol's sole contribution to this country has been? He made Campbell's Soup a household word.
I want my films to do the talking. I feel if people have to understand me better, I should do more good films. I just want them to know me through my films.
Money is completely boring to me. It means nothing, except it feeds my art. Every penny I make goes back into the Haus of GaGa. My Haus of GaGa is something like Andy Warhol's Factory.
He was, as Billy Name said in the acclaimed Ric Burns documentary about Andy Warhol, uninterested in being a second-tier artist. He was uninterested in being a first-tier artist! He wanted to be, you know, a god. Someone who completely changed the...he wanted to be Zeus with the lightning bolt and nothing less would have satisfied him.
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