A Quote by Andy Warhol
Before I was shot, I always thought that I was more half-there than all-there - I always suspected that I was watching TV instead of living life. Right when I was being shot and ever since, I knew that I was watching television.
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Maybe if I'd gone in younger, I wouldn't have had that feeling, but I've seen an enormous amount of changes since the early-'70s in how this stuff is shot. I did the first TV movie ever shot in 18 days; before this film the normal length of shooting a TV movie was between 21 and 26 days. We shot a full-up, two-hour TV movie in 18 days with Donald Sutherland playing the lead, who had never worked on television before.
I'm watching some television tonight. I'm watching The Discovery Channel. You know, this channel, you never ever plan on watching this. It just happens. You're flickin' around, all of a sudden - boom - you're watching a mole for an hour-and-a-half.
As every golfer knows, no one ever lost his mind over one shot. It is rather the gradual process of shot after shot watching your score go to tatters - knowing that you have found a different way to bogey each hole.
There is a difference. You watch television, you don't witness it. But, while watching television, if you start witnessing yourself watching television, then there are two processes going on: you are watching television, and something within you is witnessing the process of watching television. Witnessing is deeper, far deeper. It is not equivalent to watching. Watching is superficial. So remember that meditation is witnessing.
I always had watched pro wrestling. I happened to be watching the WWE Network one day and started watching differently: I wasn't watching it as a fan, but instead I was watching it as something that I could possibly be a part of.
If I'm ever working on a set and anyone talks about a master shot, I say there is no master shot. Before I even went to film school, I learned about movies by being in a British feature film, where everything was shot master shot, mid-shot, close-up. But I reject the idea of a master shot. You don't shoot everything mechanically; you find imaginative ways that serve the action.
If I had my life to live over again, I would have waxed less and listened more. ... I would have cried and laughed less while watching television ... and more while watching real life. ... But mostly, given another shot at life, I would seize every minute of it ... look at it and really see it ... try it on ... live it ... exhaust it ... and never give the minute back until there was nothing left of it.
No matter how tight the shot is, if I'm narrating it too much, there's a barrier between you and the experience, because the process of reading a book, or watching a movie, or watching a play is that you're watching a dream.
Partly why I love to operate is that I love to watch an actor within a shot. When you watch a shot, and you know that everything's come together, I feel I'm the first person watching it. I always get pleasure out of that.
The thought processes that go through my head when I'm playing a game compared to the thought processes in real life are very, very different. And they're more interesting to me than what you think about when you're doing the dishes, cleaning the yard, watching TV, driving or watching a movie.
People are watching TV, they're watching some clips on their iPhone. I mean, some folks are sitting there on the iPhone, watching the Colbert Report, and meanwhile there's a huge plasma TV right in front of them that they could be watching it on.
I'm always watching. I'm watching everybody. San Antonio, Houston, Golden State, Washington, Boston, I'm watching everything. And my mind is always going: it's always running, and you're always trying to get an advantage somehow.
I think my confidence and competitiveness - that will - comes from my mother. I always knew my mom loved me, and she always made me feel like I was - I don't want to say 'special' - but that I was capable of doing things. Before I ever shot a basketball or before I ever threw a baseball, I had confidence, and that was from my mother.
The best thing I ever learned from my dad was he knew he wasn't the best of singers, but he always knew he was a great entertainer, and I always thought that was a good concept to bring along, that ultimately acting is an entertainment art and you have to be aware of the fact that you want people to be excited to be watching you.
I like things that are funny - in everyday conversation, in incidents that you see, in watching TV or watching film. Comedy has always had an impact on my life.
Jason and the Argonauts' is the very first movie that I ever remember watching. My parents were living in New York and I was a very young kid. And I remember being in front of my TV all alone watching skeletons fighting with swords. For me it was magic.
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