A Quote by Andy Warhol
Everybody must have a fantasy.
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I don’t know anybody who doesn’t have a fantasy. Everybody must have a fantasy.
My fantasy is that I could wake up looking amazing, that I could be strong and stop the bully, but that everybody would love me, too. I think that's intrinsic to fantasy - fantasy is fantasy.
People have this delusion that everything has to be for everybody at all times. Every album must be liked by everybody, and every TV show must be liked by everybody, and every movie must be liked by everybody. Everything then becomes bland.
I really wish that peoplewould just say, 'Yes, it's a comic. Yes, this is fantasy. Yes, this is Science Fiction,' and defend the genre instead of saying, 'Horror is a bit passe so this is Dark Fantasy,' and that' s playing someone else's game. So that's why I say I'm a fantasy writer and to hell with 'It doesn't read like what I think of as a fantasy'. In that case what you think of as a fantasy is not a fantasy. Or there is more to it than you think.
Everybody has their own America, and then they have pieces of a fantasy America that they think is out there but they can't see. So the fantasy corners of America seem so atmospheric because you 've pieced them together from scenes in movies and music and lines from books.
Fantasy is sort of a blank slate that everybody can project their own culture onto. Everybody can read it in their own way.
Everybody said so. Far be it from me to assert that what everybody says must be true. Everybody is, often, as likely to be wrong as right.
You always start with a fantasy. Part of the fantasy technique is to visualize something as perfect. Then with the experiments you work back from the fantasy to reality, hacking away at the components.
My first three manuscripts were epic fantasy - like high fantasy - and then the fourth one was a historical fantasy about Mozart as a child. I still have a soft spot for that one!
Fantasy gets a mixed reception - a lot of fantasy is formulaic but most of the award-winning fantasy on the contrary tends to be the stuff at the edges of the genre, rather than swimming in the middle.
Everybody has a weakness. I don't want to say mine. Everybody must work on something, but I know my stuff and what I must work on.
I must destroy everybody that comes in front of me. I must execute them and I must do it in grand style. I must slay Robert Allen like I must slay De La Hoya or anybody else that steps in that ring.
Bitterness is the outcome of a wrong mental movement - the attempt to force external events to conform to internal fantasy. The cure is to see fantasy as fantasy, which will reveal it as neither necessary nor rewarding.
The camera is your way to see what you want to see - it's an extension of the director's fantasy. I'm executing my personal fantasy, whether it's a fantasy of pleasure or of pain and fear.
I'm not saying that 'Twilight' is, you know, some brilliant Oscar-winner, it's not 'Dr. Zhivago.' It's not trying to be. Because it is a female fantasy. I would argue that it's actually a universal fantasy. Which is, the fantasy being to be loved and cherished for exactly who you are.
But basically what I like are the possibilities, and the fantasy element of the show. Not science fantasy so much, but fantasy, the humanistic elements and how people relate when they're in a dire situation or comedic situation.
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