A Quote by Andy Warhol
The idea of waiting for something makes it more exciting
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In the creative industries, there are few things more exciting than a zinger - a thought, idea, line, plot device - anything really, that just totally works in a fundamentally new and fresh way. It's like a uniquely lovely melody or a new taste idea in cooking. Something special, something new, something wonderful. They're also very rare.
It's the digital era. What makes it exciting is that it's both the Golden Age of television and the Wild West of television. Something is happening now that's unprecedented, and we know that we're a part of it. What could be more exciting or better than that? You can't lose because you're on the pony and you're staking the claim.
What I am out to do is make sure that the Met continues to be the most exciting encyclopedic museum in the world. I want to sustain the vibrancy that makes it exciting to work here, that makes it exciting for visitors. The art remains central.
I do like the idea of pulling in different producers to get new perspectives. That's what I did with Vows and I feel it just gives variety and makes for a more exciting journey for the listener.
It’s always this thing where we’re constantly waiting for something that will come in electronic music that says, ‘Daft Punk sucks!’ That’s actually much more interesting and exciting than someone who is paying homage.
Maybe you think you’ll be entitled to more happiness later by forgoing all of it now, but it doesn’t work that way. Happiness takes as much practice as unhappiness does. It’s by living that you live more. By waiting you wait more. Every waiting day makes your life a little less. Every lonely day makes you a little smaller. Every day you put off your life makes you less capable of living it.
That's the joy of acting, to bring something to it. That's what makes acting exciting. Just saying lines is not terribly exciting.
We're all sinking in the same boat here. We're all bored and desperate and waiting for something to happen. Waiting for life to get better. Waiting for things to change. Waiting for that one person to finally notice us. We're all waiting. But we also need to realize that we all have the power to make those changes for ourselves.
In filming you're waiting. You're waiting for lights. You're waiting for people set things up. And when you're not waiting, you're repeating. And neither is conducive to spontaneity, you know. Comedy makes you very, very neurotic because you think, I - but did I nail it?
Waiting makes wine better; but waiting makes man decay! Don't wait because you have no time! Move fast!
Getting out on stage and playing music for people feels great when people are cheering for you, that's obviously really exciting. But what's most exciting is the idea that we're all experiencing something that's bigger than us.
Most of us are waiting. We're waiting for something interesting to happen. And I think we're going to wait forever if we don't do something more interesting with our lives.
The larger the audience the better. The more pockets in the world, the more interesting and exciting because it just makes it that much more liberating. This makes it that much more liberating for the various facets of creativity to be explored.
Why I'm so stimulated by [producing] is it becomes more proactive. Instead of waiting around for a script to come in, or some movie trying to go. You're waiting around always for that opportunity, which is great, but I like to be a little bit more proactive. I'm a very action-oriented guy - I'm a doer. The company really became this spearhead for that sort of attitude, and so that, to me, was the most exciting part of it.
Hemingway, damn his soul, makes everything he writes terrifically exciting (and incidentally makes all us second-raters seem positively adolescent) by the seemingly simple expedient of the iceberg principle - three-fourths of the substance under the surface. He comes closer that way to retaining the magic of the original, unexpressed idea or emotion, which is always more stirring than any words. But just try and do it!
The "problem" is that Comic-Con is so damned successful. People who are there seem to have a wonderful time. The very size of it makes it exciting. Wherever you look, there's something exciting. The attendees are always looking around for a familiar face. It's either 'There's a movie star!' Or, 'There's a TV star!' Or, 'There's the guy who drew the Green Lantern!' It means so much to the fans. It makes them feel like they're where it's happening. It's like Woodstock.
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