A Quote by Andy Warhol
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I used to love playing paper dolls with my mother - she would cut them out and I would dress the dolls.
Why are all these dolls falling out of the sky?
Was there a father?
Or have the planets cut holes in their nets
and let our childhood out,
or are we the dolls themselves,
born but never fed?
I found out - the paper used to go to bed on Tues - on Monday. I found out that on Monday nights, the editors would cut out - literally cut out passages, sometimes whole paragraphs, of some of the writers that might possibly offend blacks, lesbians, gays, radicals. And I wrote a couple of columns about that. And they're - of course, they were annoyed that I had written about it, but, I mean, it - another example - and [my wife Margot] always also conjured that.
It's really been a long-term dream of mine to have an alternative to wood-based paper. Over half of the trees cut in the world are cut for paper products.
A child playing with dolls may shed heartfelt tears when his bundle of rags and scraps becomes deathly ill and dies ... So we may come to an understanding of language as playing with dolls: in language, scraps of sound are used to make dolls and replace all the things in the world.
Just because I cut the heads off dolls doesn't mean I hate babies, I just hate dolls.
Through their play Barbara imagined their lives as adults. They used the dolls to reflect the adult world around them. They would sit and carry on conversations, making the dolls real people.
There used to be Engelbert dolls with sideburns. Now they sell Elvis dolls with the sideburns, but I don't begrudge him that.
I used to make clothes for my sister's dolls. I couldn't care less for the dolls, but I could make the clothes really easily.
Dolls fire our collective imagination, for better and - too often - for worse. From life-size dolls the same height as the little girls who carry them, to dolls whose long hair can 'grow' longer, to Barbie and her fashionable sisters, dolls do double duty as child's play and the focus of adult art and adult fear.
I am a collector of dolls and doll parts. I'm rarely creeped out by most dolls, either in real life or in literature, but I know many people who are.
I loved my baby dolls when I was a kid. I used to pray with them and say good night to each and every one of them because I didn't want their feelings to get hurt. I remember having that connection with my baby dolls.
All the difference in the world between the movies and the thrill I get out of a play at the theater. Ay, yes! Like fooling around with paper dolls when you could be playing with a real live baby.
I don't find anything interesting about the choices a character faces in major films or theater projects. The characters are just cut-out dolls with the American flag sewn on them.
I still use a lot of cut-ups, I physically cut-up pieces of paper and stick them all together on another piece of paper then I'll think, "Ah, that looks good," or shuffle them around a bit and then I'll photocopy it and then that's my lyrics.
The second draft is on yellow paper, that's when I work on characterizations. The third is pink, I work on story motivations. Then blue, that's where I cut, cut, cut.
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