A Quote by Andy Warhol

The Palace is a good theater, you can see from everywhere. — © Andy Warhol
The Palace is a good theater, you can see from everywhere.
It's very seldom that we see the good of the South. There is a perception that Southerners are racists and everyone else in the nation is 'enlightened.' There is racism everywhere, and there is good everywhere.
The thing is, that great actors are everywhere. They're everywhere. They're doing good parts on television. They're doing television commercials. They're doing local theater. There are so few opportunities.
First we have to see. Or first we have to be taught to see. We have to be taught to see here, because here is everywhere, related to everywhere else, and if we don't see, hear, taste, smell and feel in this place - not only will we never know anything but the world of sense will be by that much diminished everywhere.
Anyone can do theater, even actors. And theater can be done everywhere. Even in a theater.
Because I come from the theater, I use the images of the theater and of movies a great deal when I write. I see the story in my head. I have to break down the outline of a story first. I have to know where I'm going. Usually I have a good beginning and a good ending, and then I think, "Now I have to find my way through it."
I think I can work anywhere, but you don't get the same kind of inspiration everywhere. New York theater has become a big inspiration for me. I only started writing for the stage myself because I like to see the good, mostly off-Broadway plays in New York.
The world record is like you we went to the theater to see this movie, and it was really good, and it had an unexpected ending, and you left the theater saying, 'Wow, that was such a great movie.'
I think I'm the same dancer everywhere. But I've learned a lot with Bolshoi - the history of the theater, the technique of the theater, different nuances in my technique.
I'm a theater guy at heart; I love the theater. I was lucky enough to spend a good decade and a half in the New York theater community.
When Sunderland turned down an offer for me from Crystal Palace I went to see Moyes in his office three or four times. I was angry. I told him: 'Accept Palace's bid and just let me leave - it is the best thing for all concerned.' But he said that he wanted to keep hold of me.
Theater for me is about enduring human truth. Special effects can be part of that, but when they obscure what is the reason we come to theater - to see reflections of our confounded humanity - the theater has lost its way.
It would be good to see what the Queen gets up to at Buckingham Palace. I bet she spends her whole time watching 'Coronation Street.'
I think any filmmaker will tell you when they wandered from theater to theater to watch their prints, it was disheartening to see the poor levels of light and the disrespect for films that existed in certain theater chains. It was always inconsistent.
People only see what they are prepared to see. If you look for what is good and what you can be grateful for you will find it everywhere.
We don't see the people who are doing real things getting enough props. We often see politicians who are everywhere but nowhere at the same goddamn time. You know the kind of person: You see them everywhere on television but nowhere in front of your face.
I confess that I do not see what good it does to fulminate against the English tyranny while the Roman tyranny occupies the palace of the soul.
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