A Quote by Andy Warhol

Some people spend their entire lives thinking about one particular famous person. They pick one person who's famous, and they dwell on him or her. They devote almost their entire consciousness to thinking about this person they've never even met, or maybe met once. If you ask any famous person about the kind of mail they get, you'll find that almost every one of them has at least one person who's obsessed with them and writes constantly. It feels so strange to think that someone is spending their whole time thinking about you.
When we are not engaged in thinking about some definite problem, we usually spend about 95 percent of our time thinking about ourselves. Now, if we stop thinking about ourselves for a while and begin to think of the other person's good points, we won't have to resort to flattery so cheap and false that it can be spotted almost before it is out of the mouth.
If a person was accused of being a racist when he was young - he said some racially insensitive thing or someone had him on tape calling someone the n-word or whatever - and then you fast forward and he feels, Oh, back then I didn't say this or that. He's not thinking about the person that he hurt when he said what he said, or however it came out, or the effects that it could have had. He's not thinking about it. He's thinking about his own self and how he feels.
I met a lot of famous people when I was about 24. And none of them seemed very appealing. And so I didn't know why I would struggle to be that kind of person.
I have to say, the coolest person I ever met in my whole life is John Mellencamp. I never met a person who was more secure about himself and his person.
Once you've fallen in love, it's turned around your whole life. You keep thinking about this girl all the time instead of thinking about other things. Since the object of love is that particular person, being separated brings about a longing and pain.
My idea of a good picture is one that's in focus and of a famous person. People are only glamorous if you don't see them. Like the movies used to make people years ago. There is something about people on screen that makes them so special; when you see them in person, they are so different and the whole illusion is gone.
I think most memoirs, though they purport to be about this particular time or this person you met, are really about the effect that person or time had on you.
A famous person to themselves, they don't get up in the morning and think, I'm famous. I'm not famous to me. Famous is a perception.
Unless it's a soul-nourishing and breath-taking love, the kind that makes you wonder how you got along without them before you met them and makes you be a better, happier person, it is a waste of time. If the person cannot make you smile simply by thinking of them, they're not the one.
I never know what to tell them. I mean, there's nothing you can say to make a person stop hurting. Half the time, I just feel like telling them the truth. I'd say that for 3 months, you're going to feel worse than you've ever felt and you cope as best you can. And that after 6 months, the pain isn't so bad, but it still hurts more than you think it will. And even after years, you still find yourself thinking about the person you lost and get sad about it. And you still miss them all the time.
I think it's understandable that when questions are raised, people maybe are thinking about them and wondering about them, but I have every confidence that during the course of this campaign, people are going to know who will fight for them, who will be there when they need them, and that's the kind of person I am and that's what I will do, not only in a campaign but as president.
Even when you think you can detach yourself from the characters, you don't. Because you're spending so much time trying to realize this person and make them real that they do infect you, in a way. And you do take them home and live with them, even if you think you're turning the character off. But in order to pull off a role convincingly, you wind up thinking about that person all the time, and it does sort of creep into you. And then there are things that you'll respond to, or react to in a very different way than you would normally.
Every time I got hurt, the person who treated me said that. 'It is more attractive to admit that you're in pain.' Because of that person, I learned how to speak with honesty. Without making calculations about what the other person's thinking.
For a time, at least, I was the most famous person in the entire world.
The excitement for me lies not so much in interviewing the hard-to-get famous person, but the person whom you are about to discover. You know, like maybe the character actors who are just coming into their own and you're realizing how great they are.
Your prospective employer, or the person you have a crush on, or the person you want to talk to. You're judging yourself, you know, thinking about your listener. You're not thinking about what you're saying. And that same thing happens when you write.
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