A Quote by Andy Weir
I was born too late to experience Apollo 11, though I do trek to Dad's house every time there's some space event. There's something awesome about crossing your fingers and watching a tense Mission Control room do their thing.
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Literally, my earliest memory, my earliest vivid memory, is the Apollo 11 landing on the Moon. Yeah, I was in fourth grade, and I was just so captivated. And I think you'll find a lot of space scientists of my generation will say the same thing. Apollo was a big event for them.
At the time of Apollo 11, I was a grade-schooler, and I remember every time an Apollo mission would take place that, like a lot of little boys, I'd gather in front of the TV for hours and hours and hours with my little brother.
There is nothing mysterious about space-time. Every speck of matter, every idea, is a space-time event. We cannot experience anything or conceive of anything that exists outside of space-time. Just as experience precedes all awareness and creative expression, the visual language of our photographs should ever more strongly express the fourth dimensional structure of the real world.
I was born in 1958, the same year NASA was established, which I like to think of as not a coincidence. I was 11 when they landed on the moon, Apollo Eleven. And, of course, everybody in the whole world was watching that. But I can tell you, at that time, nobody ever asked a girl, 'Is that something you want to grow up and do?'
When designing - whether it's a living room, event space, or tablescape - I always want guests to feel as though they are part of the experience.
My favorite thing about 'Saturday Night's Main Event,' it was that one time where I could stay up late with my dad and four brothers, and we would all beat the tar out of each other while the show was on, and it was all okay because my dad was a wrestling fan.
I was an eight-year-old kid when I watched the first Apollo Moon Landing way back in 1969 and there was something about that moment that really stuck in my head. I'd always been interested in space and flying and I was building model rockets and model airplanes, but something about that moment, I can remember like it was yesterday watching the Apollo Lunar Lander approach the surface of the Moon and then later watching Neil Armstrong and Buzz Aldrin take the first steps on the Moon, and something that day started the dream for me that, hey, I want to be like those guys.
I thought that if the right time gets missed, if one has refused or been refused something for too long, it's too late, even if it is finally tackled with energy and received with joy. Or is there no such thing as "too late"? Is there only "late," and is "late" always better than "never"? I don't know.
Every corner in a house, every angle in a room, every inch of secluded space in which we like to hide, or withdraw into ourselves, is a symbol of solitude for the imagination; that is to say, it is the germ of a room, or of a house.
I was born in 1960 and can still tell you the name of every astronaut from Mercury to Apollo. If I had a chance, I'd love to go into space on one of the privately developed space crafts.
Mission Control will be perfect. When you leave this meeting today you will go to your office and the first thing you will do there is to write "Tough and Competent" on your blackboards. It will never be erased. Each day when you enter the room these words will remind you of the price paid by Grissom, White, and Chaffee. These words are the price of admission to the ranks of Mission Control.
What really happened was one day in my late five I went out and I found my dad in the garage staining some wood because sometimes he makes furniture for the house. I said, "Could I experiment a little bit?" and he said sure so I experimented and I realized that it's so fun! You can express yourself, you can use your imagination, and in just that little time I wanted to change the world for the better. After that wonderful experience I thought, how about painting?
Of course, I was completely enthralled by the space program as a kid - particularly Apollo 11 - and was glued to the television like most of the world. Then I stopped thinking about it too much. I was a little disappointed that they weren't going on to Mars at the time, but I didn't think much of it. I was more interested in becoming a director at that point in my life and falling in love, things like that.
Apollo 8 comes a close second, it not equal, to Apollo 11 for the most exciting, memorable moments on the Apollo project.
No matter what your mission is, have some notion in your head. Forget the model, whether it's government or nonprofit or profit. Ask yourself the more important question: Is my mission improving the world? Are you sure about it? Seek to disconfirm that all the time. And if you can, change your mission.
I was really able to confirm something that I knew on some level before I'd made a film. The best actors know how to really relax. Because in film, a lot of the decisions are made in the editing room, so when you're trying to guide your performance too much - always it's a push and pull because you can't be too relaxed. Too relaxed and it's like, "What are you doing?" Too tense and it's not good either.
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