A Quote by Aneurin Barnard
I never like to stick to one media; whether it's a TV series or feature film, I enjoy it and I like changing constantly.
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Directing on a 90-day schedule, whether for a TV series or a feature film, it's crazy; it's a marathon.
TV is the place for writers to live. This is where you have creative control and you're constantly writing. 'Twilight' had almost a TV schedule to it. I was constantly working on these projects. There was not a whole lot of lull but I've gone onto other feature projects that's like, 'Okay, I'll get back to you on notes.'
I enjoy making feature films, but I'd rather be in a good TV series than mediocre movies.
I wanted to move between film and theater - I never felt like I fit into TV. And I'm very anti-TV, like, 'I'm never going to do TV,' but also, TV didn't want me either, so it was kind of perfect. And then, of course, cable happened, and suddenly it was like, 'Oh, I could do that kind of stuff.'
We don't work in the traditional TV format where we're like writing concurrently to shooting. Like, we really view it as a large feature film.
One does not have to get frustrated with getting an opportunity, whether it is film, short film, web series or TV shows... As an entertainer, opportunities have expanded.
I think the biggest issue for legacy media - both TV and film - is that it just costs too much money to develop a TV series or movie. And most of them don't work. Then the one that works has to pay for the rest.
By the way, today with digital cameras and editing on your laptop, and things like that, you can make a feature film, a narrative feature film easily for $10,000.
I'm constantly working on something new, whether it's a Garbage song, or for someone I'm producing or a song for film or TV whatever it is. I guess I'm sort of living in the moment and moving towards what I'm doing next. I think most artists are like that.
You're constantly changing man. But the film's not changing. The film stays the same. That's the beautiful aspect of it.
If you find a TV series that you like, you like the tone of the TV series or the movie.
I did New York, I Love You which is a very personal film for me. My most personal film, but it's not like a film I've ever made. I would never do that film as a feature, for instance, because it's not very commercial of an idea.
Poetry is statement of a series of equations, with numbers and symbols changing like the changes of mirrors, pools, skies, the only never-changing sign being the sign of infinity.
I get very, very bored by TV series or TV movies. But when you see great acrobats on TV, my eyes stick to the screen. I can watch them forever.
I'd also like to do a play. I've never done theater, and constantly changing and refining a performance is something I'd like to do, even though it may sound like work to some people - and it probably is work.
If there's one thing you can say about my apartment it's that it's constantly evolving, constantly changing. I think that is the mark of a good apartment; you can never really be done - It's like a proper wardrobe.
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